Skip to main content

Review of Band of Gold at Milton Keynes Theatre, Milton Keynes

After what seemed an age, it was a delight to finally have a play to see at Milton Keynes Theatre, following an abundance, of admittedly very good musicals. So, was this turn towards straight play with Band of Gold, a sparkling gem, or something you might have picked up in Ratners?

Gina is down on her luck, short of money, recently split up from her husband and trying to look after her child while dealing with the loan shark she has fallen into a trap with. When she meets Carol and Anita through the course of her new job as a cosmetics seller, perhaps a very dark but profitable world may open up to her.

Back in 1995, Kay Mellor's Band of Gold became a huge success on television offering groundbreaking roles for the likes of Cathy Tyson and Samantha Morton, and this play, written by Mellor herself follows the storyline in condensed form, of the first series. Unfortunately, any regard for the quality of this original series is lost in the wake of this broken and poorly created play. While Mellor has had immense and unquestionable success on television with her numerous award-winning dramas, on the evidence of Band of Gold, her ability to create a stage play is somewhat limited.

Written for the stage seemingly exactly like she might write a tightly edited television series means that perhaps at least ten per cent of the running time consists of watching furniture and flats being moved about. There are simply far too many scenes in this play for it to ever have any flow to it. This disjointedness means that you never ease into the telling of the storyline and the characters.

It doesn't help that it feels unsure of what path it is taking, it plays at comedy at times, but is it a dark comedy, childish comedy, or what? This is a serious drama dealing with very serious issues and the end of the first act and some minor power gained from it, it is instantly diminished by the almost childish dialogue in the opening scene of the second act, which leaves an audience totally unsure whether they should laugh or not. Elsewhere a particular scene with Curly and Carol is best forgotten as perhaps something that I am sure worked on television but in theatre, feels immensely awkward. Kudos though to Steve Garti for performing it though, although I doubt he will be flagging it on his CV in the future.

So, while television is to blame for the disjointed script and scenes, it also is responsible for a series of inferior performances as well. Cast to be populist rather than to create a gripping well-performed stage show, the likes of Laurie Brett (Anita) and Gaynor Faye (Rose) feel out of their depth here on the stage. It gets worse though as Kieron Richardson as Steve shows that his best skills on stage are kicking things and shouting a bit, while Shayne Ward literally plods on as Inspector Newall, says his lines, with little projection at all for such a large theatre space, and plods back off again. If you want to cast your entire main cast from Eastenders, Emmerdale, Hollyoaks and The X-Factor, I'm afraid this is what you are going to get. Having said that, I'm sure you will be happy with the ticket sales as a result, even if your theatre credibility has plummeted.

It's not all a disaster though cast wise, Sacha Parkinson makes, what appears from the programme, to be a highly creditable stage debut as the torn Gina, and Emma Osman nails the role of the sassy Carol in her first touring show. Elsewhere it is great to see Andrew Dunn as Ian Barraclough, although he is woefully underused and trapped in a very poorly written role.

I hate giving bad reviews, anyone who has read my reviews for long will always know I am generally a theatre stalls half full kind of reviewer. However, Band of Gold really is a poor show, lacking in thrills, uncomfortable balance in the comedy, and a really disjointed and as a result, slow stage show. I wish I didn't have to write reviews like this, but I'm afraid Band of Gold is a crushing disappointment.

A woefully disappointing stage version of the 1990's hit television drama.
⭐⭐½

Performance reviewed: Monday 9th March 2020 at Milton Keynes Theatre, Milton Keynes.
Band of Gold runs at Milton Keynes Theatre until Saturday 14th March 2020.

Further details about Milton Keynes Theatre can be found at http://www.atgtickets.com/venues/milton-keynes-theatre/

Photos: Ant Robling

Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Dear England at Milton Keynes Theatre

James Graham’s award-winning play Dear England has been around a while now, and indeed, when it was first staged in 2023, some events depicted here hadn’t even happened. Therefore, the pen, likely keyboard, of Graham has been busy adding what amounts to a further epilogue, and it now amounts to the complete package of Gareth Southgate’s tenure as the poisoned chalice that is England football manager. For those who may have missed it, Dear England tells the story of Southgate’s journey from his inception into the manager role in 2016 to his eventual departure and knighthood in the New Year’s Honours of 2025. However, this play, while centred on the beautiful game, is more than about kicking a ball and managing and coaching it. Writer Graham mines from the source material a piece that very much explores what it is to be English and, with Southgate’s approach to coaching, what makes the brain tick. To that effect, enter psychologist Pippa Grange, and the journey for Southgate to become ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...