Skip to main content

Review of On Your Feet! at Milton Keynes Theatre, Milton Keynes

Being of about the right age when Gloria Estefan and the Miami Sound Machine first started to make it big, I was quite a fan. Even going so far as to have a few old vinyl singles and a couple of her albums on this new fangled CD system, in what was an admittedly limited music collection. In this collection was my favourite Estefan album, Cuts Both Ways, which included the track Get On Your Feet, which of course inspired the title of this relatively new musical of the life of the Estefan's. So, does it captivate this distant original fan, and or does it resemble a dad doing a bit of Latin dancing?

On Your Feet! is a telling of the Estefan's battle for success beyond the Latin market and interspersed with snippets of what made them who they were with family flashbacks, and it's safe to say that it is an endless mix of success and failure.

Where it works; vibrant colours from costume, backdrops, some superb choreography, and excellent music from the superb, occasionally on stage, band; this is a brilliantly entertaining show. However, for all its vibrancy from this, the often dull and corny book, over-complicated and busy scene changes (what is going on with those flats being moved all the while, even in scene changes? So clunky and distracting), and a few only average performances means it never quite comes to life.

Maybe half of the issue was that opening night of this first UK tour at Milton Keynes Theatre was beset with problems. These included a fifteen-minute delay at the start, cover Francesca Lara Gordon on for Philippa Stefani as Gloria Estefan, projection cutting out and showing the dreaded "signal" message in huge lettering on its return, a dodgy mic and a bit of set that refused for far too long to fix down. It's safe to say it probably wasn't the most successful evening of the tour.

Understudy Gordon as Gloria Estefan is a very capable performer, commending on stage with a superb singing voice, however, for me she doesn't quite cut it as Gloria, missing the vocal style by some distance. Gordon though beyond this was amazingly confident stepping into such an iconic role.

George Ioannides as Emilio Estefan is excellent, despite what felt like a rather nervous start in his opening singing number. He looks the part, and at a very shallow level, such as the audience fell to, he looks good in tight shorts. His charisma wins the day throughout and his singing talent is quality, despite being challenged with extremely difficult numbers to perform.

Madalena Alberto has perhaps the strongest singing voice as Gloria Fajardo, and her Mi Tierra is perhaps the best-performed song of the evening as a result. Completing the main cast is Karen Mann as Gloria's grandmother Consuelo, and this often comic role manages to garner most of the laughs from the show, despite it being very caricatured at times.

On Your Feet! is a curious thing, despite being beset by issues and rather corny in written content and scene-setting still manages to just about entertain throughout. If only the show itself could have been as upbeat as the music that inhabits it, this could have been a cracker of a show. As it is, it entertains, but never really fulfils the legacy that it should for the talent that is Gloria Estefan and the battles that she and her husband Emilio won.

A flawed but still entertaining telling of the life of the Estefan's.
⭐⭐⭐

Performance reviewed: Tuesday 11th February 2020 at Milton Keynes Theatre, Milton Keynes.
On Your Feet! runs at Milton Keynes Theatre until Sunday 15th  February2020.

Further details about Milton Keynes Theatre can be found at http://www.atgtickets.com/venues/milton-keynes-theatre/

Photos: Johan Persson

Popular posts from this blog

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love. This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures. Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly...

Review of The Pillowman at The Playhouse Theatre, Northampton

The Pillowman sounds such a friendly title, and to be fair, his story is one of the lighter aspects of Martin McDonagh's script. It still involves dead children though, if you want to get a clear vision of how dark this play is. Set in a police state of the future, Katurian (Toby Pugh) is taken in for the content of his often violent stories and a similarity to a spate of recent child killings. Here in detention cell 13, his police captors, Tupolski (Adrian Wyman) and Ariel (Steve While) play good cop, bad cop while holding over the threat of violence against Katurian's mentally disabled brother Michal (Patrick Morgan), being held in another cell. The Pillowman is clearly a very warped story, with the blackest of black comedy, and often also very offensive with it's racial stereotyping and disability. In fact, it is no surprise that a couple left in the interval, as I would happily admit that this play is far from everyone. I like a good black comedy though, and ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...