Skip to main content

Review of On Your Feet! at Milton Keynes Theatre, Milton Keynes

Being of about the right age when Gloria Estefan and the Miami Sound Machine first started to make it big, I was quite a fan. Even going so far as to have a few old vinyl singles and a couple of her albums on this new fangled CD system, in what was an admittedly limited music collection. In this collection was my favourite Estefan album, Cuts Both Ways, which included the track Get On Your Feet, which of course inspired the title of this relatively new musical of the life of the Estefan's. So, does it captivate this distant original fan, and or does it resemble a dad doing a bit of Latin dancing?

On Your Feet! is a telling of the Estefan's battle for success beyond the Latin market and interspersed with snippets of what made them who they were with family flashbacks, and it's safe to say that it is an endless mix of success and failure.

Where it works; vibrant colours from costume, backdrops, some superb choreography, and excellent music from the superb, occasionally on stage, band; this is a brilliantly entertaining show. However, for all its vibrancy from this, the often dull and corny book, over-complicated and busy scene changes (what is going on with those flats being moved all the while, even in scene changes? So clunky and distracting), and a few only average performances means it never quite comes to life.

Maybe half of the issue was that opening night of this first UK tour at Milton Keynes Theatre was beset with problems. These included a fifteen-minute delay at the start, cover Francesca Lara Gordon on for Philippa Stefani as Gloria Estefan, projection cutting out and showing the dreaded "signal" message in huge lettering on its return, a dodgy mic and a bit of set that refused for far too long to fix down. It's safe to say it probably wasn't the most successful evening of the tour.

Understudy Gordon as Gloria Estefan is a very capable performer, commending on stage with a superb singing voice, however, for me she doesn't quite cut it as Gloria, missing the vocal style by some distance. Gordon though beyond this was amazingly confident stepping into such an iconic role.

George Ioannides as Emilio Estefan is excellent, despite what felt like a rather nervous start in his opening singing number. He looks the part, and at a very shallow level, such as the audience fell to, he looks good in tight shorts. His charisma wins the day throughout and his singing talent is quality, despite being challenged with extremely difficult numbers to perform.

Madalena Alberto has perhaps the strongest singing voice as Gloria Fajardo, and her Mi Tierra is perhaps the best-performed song of the evening as a result. Completing the main cast is Karen Mann as Gloria's grandmother Consuelo, and this often comic role manages to garner most of the laughs from the show, despite it being very caricatured at times.

On Your Feet! is a curious thing, despite being beset by issues and rather corny in written content and scene-setting still manages to just about entertain throughout. If only the show itself could have been as upbeat as the music that inhabits it, this could have been a cracker of a show. As it is, it entertains, but never really fulfils the legacy that it should for the talent that is Gloria Estefan and the battles that she and her husband Emilio won.

A flawed but still entertaining telling of the life of the Estefan's.
⭐⭐⭐

Performance reviewed: Tuesday 11th February 2020 at Milton Keynes Theatre, Milton Keynes.
On Your Feet! runs at Milton Keynes Theatre until Sunday 15th  February2020.

Further details about Milton Keynes Theatre can be found at http://www.atgtickets.com/venues/milton-keynes-theatre/

Photos: Johan Persson

Popular posts from this blog

Review of Beauty and the Beast at Castle Theatre, Wellingborough

The Castle Theatre Wellingborough this year sees the home of Beauty and the Beast as its seasonal pantomime, and what a fabulously entertaining show it is. Hiding away from the big star names, Parkwood Theatres & Castle Theatre has assembled a talented bunch of performers to bring this tale “as old as time” to the stage. Produced and directed by Martin Cleverley once again, back from previous years' pantos, the show relies very much on characters rather than showy visuals. Taking full advantage of a French setting, the puns flow freely, including to the characters, with names such as Danon and Djon thrown into the mustard pot (very much intended) of puns. Aura Mitchell and Kaysee Craine lead our cast of characters as the title characters of Beauty and the Beast (also known as Prince Pierre). While they do play second fiddle, as is the norm for a panto, to the additional comic characters, they form a charming partnership. Returning to the role of panto dame from last year'...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...

Review of 2:22 A Ghost Story at Royal & Derngate (Derngate), Northampton

2:22 A Ghost Story continues an endless rise and run of success on the stage. This play by Danny Robins was first staged as recently as August 2021 at the Noel Coward Theatre and since then the show continued to run in London for two years, moving to four further London theatres, before eventually closing in the city to embark on this tour, which began in September last year. During these runs, the cast has constantly been updated with often populist actors, and some, which are not even associated with acting. As this reaches Royal & Derngate, now even the touring cast has been swept clean and four further performers take on the incredible success of a show. This is the second time I have seen 2:22 A Ghost Story , and it is safe to say that on that first viewing, with the previous tour cast, I was not as blown away by the play as the success seemed to warrant. The aforementioned populist casting seemed to have driven a so-so ghostly tale into success beyond its quality, and with th...