Skip to main content

Review of Billionaire Boy at Royal & Derngate (Derngate), Northampton

I feel that like at the start of an official meeting I need to make a declaration at the beginning of this review. I'm not a fan of the work generally of David Walliams, more specifically his adult humour, I find it crude and unfunny. However, Billionaire Boy was my first encounter with his work for children, long since having left that time behind. So, while I had some trepidation with what lay ahead, including of course being surrounded by sweet eating children (and adults) in the theatre, I went with an open mind.

Joe Spud is rich, we are talking real rich. Heir to his father's wealth, created by the invention of Bumfresh, a brand new way of thinking in the loo roll world, he is happily tossed million-pound cheques on his birthday. However, can being rich and having it all bring you happiness? Or do you sometimes just want a friend and not a computer to play games against.

Billionaire Boy is really rather fabulous, there I admit it. It is no coincidence actually that Walliams' main illustrator is Quentin Blake, chief artist for my go-to writer as a child, Roald Dahl. Billionaire Boy is pure Dahl in style, there is no doubt you could imagine these grotesque characters and ideas being penned by the master, and with the proper twinges of morality to thrown in.

Billionaire Boy features some great performances and characterisations from all of the cast, broad strokes in keeping with this being targetted of course at children, but always intelligently performed. Matthew Gordon is excellent as lead Joe Spud, forming a fine balance between a fun character and the inner sadness within him of being alone, and therefore when he embraces his friend Bob (Davy Bell), the awws that come from the audience are no surprise. Bell himself is a splendidly awkward, fat spectacled kid lacking in a true friend, and desperate to grab any new recruits or someone else to come last at running.

Jason Furnival has enormous fun as Dad and is equally enjoying himself as one-half of the bullying Grub twins (pure Dahl characters if ever there was one). As Dad he gets the best moment of the show spectacle wise, but that I couldn't possibly reveal! The character of Raj is brilliant, and Aosaf Afzal revels in it, heavy in a caricature of course, but simply splendid for it. We all know a Raj I think!

Emma Matthews channels more than a little Victoria Wood I feel as her dinner lady Mrs Trafe, serving up the most horrendous collection of food. While Bernard Mensah has less to do in his more minor, but important character Jayden. His dealing with The Grubs though is rightfully and uproariously greeted with enthusiasm by the audience.

Finally, special mention to Rosie Coles in perhaps the broadest collection of roles. Primarily as Dad's Mix 'n' Match girlfriend, but equally as strong as a teacher "The Witch" and the other half of The Grubs. Brilliantly contrasting characters, and superbly performed.

Billed half as a musical, Billionaire Boy just happens to throw in a great collection of songs as well, all good, some of them very good, and it's a credit to their quality that I noted one lad singing one to himself as we left the theatre.

The humour is, unsurprisingly, toilet humour at times, however, like Dahl himself, Walliams, and Neal Foster's adaptation gets the balance right. Also, like all kids shows, there is enough there for the put upon adults in charge of the minors, therefore for every fart joke for the kids, we get a reference to a gold bracelet from Ratners into the bargain.

The set from Jacqueline Trousdale is visually pleasing, using loo rolls as its design feature and had a multitude, seemingly endless, of compartments revealing the different locations we end up in. It's all kept swift by the director, also Neal Foster, and as a result, leaves the audience captivated.

I loved Billionaire Boy despite it not really being for me. It happily reminded me of my childhood and the tales that I read back there, and it is rather pleasing that this style lives on for this new generation.

There is nothing bog standard about this fabulous show.
⭐⭐

Performance reviewed: Thursday 17th October 2019 at the Royal & Derngate (Royal), Northampton.
Billionaire Boy runs at Royal & Derngate until Saturday 26th October 2019.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Photos: Mark Douet

Popular posts from this blog

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...