Skip to main content

Review of UoN Fringe: Wonder (W?nder) by Lamplight Theatre at The Platform, Northampton

I have to say as an unreligious person, I approached W?nder with a certain amount of trepidation. Performed by Naomi Hollands, an evangelist in training, as well as an actor, it comes from her theatre company Lamplight, which has in its description that it aims "to give the student population a chance to explore Christianity through the use of theatre".

It was though slightly less of a concern, in reality, this show is presented at a nicely balanced level, which explores more what we find ourselves in life as things of "wonder". We are asked to write down on a piece of paper at the start of the show, where we see the wonder in life. It's an idea that is briefly used later in the show, as Hollands reads out three random ones from the bowl. However, it gets you thinking before the show proper begins.

Hollands takes us through several characters including a young child and an older, more officious and organised person, before finally falling into a very personal piece as herself. Indeed extremely so in it's content and you have to applaud the nature of laying some of the content in such a public environment.

It's simply done, nicely performed and far from preachy in its content, dealing more with how we gain enjoyment from life rather than banging the religious angle. It's also very funny at times, and Hollands performs the whole piece in a confident and believable way, and despite my initial concern of the themes, I left thinking about the themes raised, and from theatre, that is the most wonderful thing we can receive. It very much ticked the box of what I wrote on the piece of paper at the start, "creative ideas".

Performance reviewed: Saturday 24th March 2018 at The Platform, Northampton.

The UoN Fringe ran between Friday 23rd and Monday 26th March 2018.

Popular posts from this blog

Review of Mary Poppins at Milton Keynes Theatre

The 1964 Disney film Mary Poppins is one of the most fondly remembered family films and has been a staple of many children's childhoods ever since its release. Adapted from P. L. Travers's book series featuring the famous nanny, it took until 2004 for the show to reach the stage, with this musical adaptation featuring a book by Julian Fellowes. The stage musical used the familiar songs from the film by Richard M. Sherman and Robert B. Sherman and added new ones by George Stiles and Anthony Drewe, all under the watchful eye of co-creator Cameron Mackintosh. It is safe to say that many people were involved in bringing this show to the stage. The story, of course, tells of the family Banks—father George, mother Winifred, and the tricky-to-handle children Michael and Jane. Following a job advertisement thrown into the fireplace, a nanny named Mary Poppins arrives at their home, and the Banks' family experiences a very different world than they have ever before. Touring to sele...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...