Skip to main content

Review of She Echoes performed by University Of Northampton BA Actors at Isham Dark (Avenue Campus), Northampton

The University of Northampton BA Actors devised shows are never, ever, a disappointment. Many of them like the incredibly splendid Orientation from last year, I could happily watch more than once. She Echos easily falls into that category and I shall return tomorrow to watch it once again.

Taking the concept of alternative possibilities made famous in popular by Gwyneth Paltrow in Sliding Doors, She Echoes creates a multiple splitting world of Emily and her success in work, family, driving and most importantly love. We awake each morning with Emily either early, late, or with time to read the paper or not, and a meeting with her sister who may be back on the bottle or sipping coffee. Emily may walk to work, she may drive, she may get the tube. She might go to the Red Ruby club or not.

Each of these scenarios is created in two ways, first through repetition of scenes where charges occur on route through alternating incidents; some simple, some startlingly dramatic. The second way is a split stage scenario, used with incredible effect during the Red Ruby scene. Both work, but seeing the freeze frame play out at the club is the best by a considerable margin as the most innocent of moments like a spilt drink spirals into devastating events. Perhaps you might feel it is contrived at times, but really it surely isn't. A fight in a club, truly would if you think about it come down to a chance of encounter like this if they are indeed strangers. This is why as Liam Faik takes apart in a quite remarkable stage fight a good Samaritan, you truly feel how possible this could be. While this occurs, alongside is the most wonderful scenario playing out, of love and friendliness. The contrast could not be better, the effect on the audience perhaps not possibly stronger.

Emily is played by an ever changing cast member and each of them creates a slightly different but fascinating interpretation of the role as the world evolves ahead of her. This is throughout a quite staggering ensemble piece, as the University shows always are. There is a constant buzz of effort and support for each other and the youthful and ambition drive to create perfection knows no bounds.

The fast paced scenes are brilliantly worked and perhaps the lighting available in Isham Dark has never looked better in this creation designed by Jessica Bichard. There is also an incredible Charleston inspired dance routine choreographed purely through the students. This coupled with the work of director of Lily McLeish and most importantly the creative input and drive of the performance of the students creates a swift and sharp seventy minutes of brilliance.

I simply loved it, it often created a lump in the throat, a stirring of adrenaline and "dust" in the eyes. A remarkable piece of theatre in every way possible, performed by yet again another collection of startlingly good students, now firmly on route to the Royal, the Flash Festival and beyond. Just amazing.

Performance viewed: Wednesday 7th December, 2016 (matinee) at Isham Dark, University Of Northampton (Avenue Campus).

She Echoes runs until Saturday, 10th December, 2016.
Twitter feed for the University actors is @BA_Actors and a Facebook event page at https://www.facebook.com/events/1821958538081112/

Popular posts from this blog

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...

Review of That Face by Polly Stenham performed by The Masque Theatre at the Playhouse Theatre, Northampton

As millions were sitting down to watch the misery of EastEnders and its big reveal of Lucy's killer, A Small Mind ventured out to the theatre for some light relief. Yeah right! That Face by Polly Stenham is generally as far from light relief as you could imagine, like the aforementioned soap being unshackled by its pre-watershed needs, this was gritty family drama in the extreme. Long before the play begins those who had made their way to their seats early get the chance to see curtain up and a girl sitting bound and masked in a chair. Moments of 50 Shades fears aside, its clear that we are seeing one of the unluckiest actresses you could imagine. Destined to be in two scenes with no lines, the first of which involves her being mauled about no end, its a thankless role, which todays actress of pain Julie Hicks plays very well. Suffering for her art indeed. Doing the mauling are boarding school "buddies" Mia (Amber Mae) and mad as a box of frogs Izzy (Clare Balbi). Mia...

Review of Theft at the Castle Theatre Studio, Wellingborough

The comedy-thriller Theft by Eric Chappell tells the story of an anniversary celebrating couple returning to the devastation of their home being ransacked in a burglary. However, this ransacking pales in comparison to the ransacking of their lives that then occurs as home truths are revealed. Anyone old enough to remember the works of Theft writer Chappell ( Rising Damp and Only When I Laugh ), could be forgiven for thinking that this 1996 play might feel a little dated for a 2021 audience. However, bar a few references much of their time now (the weaker sex and female priests for instance), Theft still feels comfortable in the 2021 world, where many of us just want both a good evening of theatre and a good bit of fun. With Theft from the highly regarded Wellingborough Technical Players, they get just that. The action starts as we find the man of the house John Miles played by Graham Breeze returning, very angry, to his home. He is a rightfully boisterous character, channelling all th...