Skip to main content

Review of She Echoes performed by University Of Northampton BA Actors at Isham Dark (Avenue Campus), Northampton

The University of Northampton BA Actors devised shows are never, ever, a disappointment. Many of them like the incredibly splendid Orientation from last year, I could happily watch more than once. She Echos easily falls into that category and I shall return tomorrow to watch it once again.

Taking the concept of alternative possibilities made famous in popular by Gwyneth Paltrow in Sliding Doors, She Echoes creates a multiple splitting world of Emily and her success in work, family, driving and most importantly love. We awake each morning with Emily either early, late, or with time to read the paper or not, and a meeting with her sister who may be back on the bottle or sipping coffee. Emily may walk to work, she may drive, she may get the tube. She might go to the Red Ruby club or not.

Each of these scenarios is created in two ways, first through repetition of scenes where charges occur on route through alternating incidents; some simple, some startlingly dramatic. The second way is a split stage scenario, used with incredible effect during the Red Ruby scene. Both work, but seeing the freeze frame play out at the club is the best by a considerable margin as the most innocent of moments like a spilt drink spirals into devastating events. Perhaps you might feel it is contrived at times, but really it surely isn't. A fight in a club, truly would if you think about it come down to a chance of encounter like this if they are indeed strangers. This is why as Liam Faik takes apart in a quite remarkable stage fight a good Samaritan, you truly feel how possible this could be. While this occurs, alongside is the most wonderful scenario playing out, of love and friendliness. The contrast could not be better, the effect on the audience perhaps not possibly stronger.

Emily is played by an ever changing cast member and each of them creates a slightly different but fascinating interpretation of the role as the world evolves ahead of her. This is throughout a quite staggering ensemble piece, as the University shows always are. There is a constant buzz of effort and support for each other and the youthful and ambition drive to create perfection knows no bounds.

The fast paced scenes are brilliantly worked and perhaps the lighting available in Isham Dark has never looked better in this creation designed by Jessica Bichard. There is also an incredible Charleston inspired dance routine choreographed purely through the students. This coupled with the work of director of Lily McLeish and most importantly the creative input and drive of the performance of the students creates a swift and sharp seventy minutes of brilliance.

I simply loved it, it often created a lump in the throat, a stirring of adrenaline and "dust" in the eyes. A remarkable piece of theatre in every way possible, performed by yet again another collection of startlingly good students, now firmly on route to the Royal, the Flash Festival and beyond. Just amazing.

Performance viewed: Wednesday 7th December, 2016 (matinee) at Isham Dark, University Of Northampton (Avenue Campus).

She Echoes runs until Saturday, 10th December, 2016.
Twitter feed for the University actors is @BA_Actors and a Facebook event page at https://www.facebook.com/events/1821958538081112/

Popular posts from this blog

Review of Of Mice And Men at Royal & Derngate (Royal), Northampton

Other than, randomly, Charlie and the Chocolate Factory and The War of the Worlds , John Steinbeck's classic Of Mice and Men is perhaps one of the most familiar of stories to me. I have seen it several times before, and while at school, we studied it, and dissected it like the work of Mr Shakespeare, but with Steinbeck, I got out the other side still liking it. This brand new version from Selladoor Productions, which opened in Canterbury last week, brings a by-the-book presentation of the trials of George and his slow, but incredibly strong friend, Lennie, to the stage. Perhaps, this is its first issue blocking a huge success from this production, in that it rarely does anything brave or different. It's clearly been expertly cast visually, with the hulking form of Matthew Wynn as Lennie, and the diminutive (in comparison) Richard Keightley and Kamran Darabi-Ford as George and Curley respectively. Darabi-Ford especially perfect in his tremendously awkward scenes wit...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...