Skip to main content

Review of Wind In The Willows by Looking Glass Theatre at St Peter's Church (Outdoors), Northampton

More possible years have passed than I wish to imagine since my last encounter with Kenneth Grahame's classic tale of the adventures (or misadventures) of a collection of lively, disturbingly human like animals. However as I watched James Smith's new stage adaptation of the tale, many things came swiftly back to me. Here was the classic messing about in the river line, there was the famous "Poop! Poop!", and there was Toad pretending to be a washer woman. The whole thing was pretty much back, if a little abridged to fit into its seventy minute running time.

That is not to say that this is a straight adaption for the stage, as it is at times more like a pantomime version of the story (albeit one without any "he's behind you!" business) in its absolute silliness. This is much in keeping of what you tend to get from Looking Glass in any case, a relaxed telling of a classic tale. It's what they are best at and it is very much not broke, so why try to break it.

There is however one vast difference for me with this production over the other children's shows of the last couple of years that have sprung from Looking Glass and that is the class of the cast performing it. Four of the best from this year's graduated University of Northampton BA Actors bring a new style and skill to the material offered.
Penelope May as Mole
Penelope May brings a highly energetic style to Mole, full of playfulness and with twitching nose investigates the new world she quite dramatically and literally pops into as the story opens. Of the four Mole is our way into the story as we travel with her meeting the assortment of characters, and Penelope has the exuberance to make our journey fun.
Penelope May as Mole, Stuart Warren as Toad and Sharni Tapako-Brown as Ratty
Hers and our first meeting is with a Ratty, performed with absolute style and sophistication by Sharni Tapako-Brown. We get the true cultured character from Sharni, as Ratty feels much more intelligent that ever before. Like all four cast members, she is captivating in her creation of the boat loving rodent.

No less captivating is Vandreas Marc, a genuinely inventive take on Badger, bringing as much of his own style to the role as that of Grahame's original wielding his stick as if its another appendage at times.
Vandreas Marc as Badger
However of the four main characters, it is Stuart Warren who perhaps nails his role the very best. His Toad is every bit what you would remember, the impulsive nature, the superiority he feels, the mischief he causes which ends him in no end of trouble. Stuart really is Toad, and with the last three roles I have seen him in, a blessing to finally see him as a fun, bubbly character. He completes a genuinely brilliant cast.

There are a number of inventive moments within this new adaptation that also work really well; Vandreas' and Stuart's beat boxing/rapping field mice are a very funny moment; as is the clever boat journey, which works perfectly in the traverse nature of the stage. Finally who doesn't like a water pistol fight. Even if you get it right in the eye...

So a full of fun adaption of the classic children's story, which kept the audience of all ages interested and was performed with absolute brilliance by four superb young actors. If you have a child to take, or want to have a relaxing time to switch your brain off and relive your own childhood, you won't get a better deal at the moment, than heading to Looking Glass to see this show.
«««½

Performance reviewed: Wednesday 20th July, 2016 at the Looking Glass Theatre, Northampton.

Wind In The Willows is running at St Peter's Church on selected dates and times between 
Wednesday 20th July and Saturday 30th July, 2016.

Looking Glass Theatre also has a website at http://www.lookingglasstheatre.co.uk/

(Photos: Looking Glass Theatre)

Popular posts from this blog

Review of Of Mice and Men at The Playhouse Theatre Northampton

John Steinbeck’s classic novella Of Mice and Men has been a staple of many young people's education, and it is relatively common in curricula; as such, it is a popular choice for theatre groups, both professional and amateur, to bring to the stage. Therefore, this week, The Playhouse Theatre Northampton has brought its own version to the stage at Christ Church Hall as its latest offering. So, after close to ninety years since the first publication, is this still worth a trip to the theatre? For those unfamiliar with the story, published in 1937, Steinbeck’s tale, here adapted for the stage by the author, chronicles a moment in the lives of George Milton and Lennie Small, an unlikely pair of migrant workers, as they move from ranch to ranch. Constantly moving due to the mentally unstable Lennies' constant leaning towards doing something bad, they find themselves at a new farm where they hope to make the coin to pursue the dream of their own piece of land. However, as always for...

Review of Tina: The Tina Turner Musical at Milton Keynes Theatre

Music artist Tina Turner was a staple of the music network for a remarkable time, active as an artist for eight decades; her work is, or at the very least should be, familiar to every generation. Therefore, it was little surprise that in 2018, a stage musical of her work and life arrived upon the stage. You could say that for such an artist, it actually took longer than it should have to appear. Now, as part of its first UK & Ireland tour, Tina: The Tina Turner Musical , it arrives at Milton Keynes Theatre for a two-week run. So, the question is, is it worthy of the legendary artist? For those unfamiliar with any part of Tina Turner's life, the content of this stage musical telling her life story might be a surprise to an audience that grew up just listening to her music. It is an early commendation of the show that the show does not shy away from the themes of domestic abuse, racism and parental abandonment that Turner suffered through her life. With all that rich and startlin...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...