Skip to main content

Review of Wind In The Willows by Looking Glass Theatre at St Peter's Church (Outdoors), Northampton

More possible years have passed than I wish to imagine since my last encounter with Kenneth Grahame's classic tale of the adventures (or misadventures) of a collection of lively, disturbingly human like animals. However as I watched James Smith's new stage adaptation of the tale, many things came swiftly back to me. Here was the classic messing about in the river line, there was the famous "Poop! Poop!", and there was Toad pretending to be a washer woman. The whole thing was pretty much back, if a little abridged to fit into its seventy minute running time.

That is not to say that this is a straight adaption for the stage, as it is at times more like a pantomime version of the story (albeit one without any "he's behind you!" business) in its absolute silliness. This is much in keeping of what you tend to get from Looking Glass in any case, a relaxed telling of a classic tale. It's what they are best at and it is very much not broke, so why try to break it.

There is however one vast difference for me with this production over the other children's shows of the last couple of years that have sprung from Looking Glass and that is the class of the cast performing it. Four of the best from this year's graduated University of Northampton BA Actors bring a new style and skill to the material offered.
Penelope May as Mole
Penelope May brings a highly energetic style to Mole, full of playfulness and with twitching nose investigates the new world she quite dramatically and literally pops into as the story opens. Of the four Mole is our way into the story as we travel with her meeting the assortment of characters, and Penelope has the exuberance to make our journey fun.
Penelope May as Mole, Stuart Warren as Toad and Sharni Tapako-Brown as Ratty
Hers and our first meeting is with a Ratty, performed with absolute style and sophistication by Sharni Tapako-Brown. We get the true cultured character from Sharni, as Ratty feels much more intelligent that ever before. Like all four cast members, she is captivating in her creation of the boat loving rodent.

No less captivating is Vandreas Marc, a genuinely inventive take on Badger, bringing as much of his own style to the role as that of Grahame's original wielding his stick as if its another appendage at times.
Vandreas Marc as Badger
However of the four main characters, it is Stuart Warren who perhaps nails his role the very best. His Toad is every bit what you would remember, the impulsive nature, the superiority he feels, the mischief he causes which ends him in no end of trouble. Stuart really is Toad, and with the last three roles I have seen him in, a blessing to finally see him as a fun, bubbly character. He completes a genuinely brilliant cast.

There are a number of inventive moments within this new adaptation that also work really well; Vandreas' and Stuart's beat boxing/rapping field mice are a very funny moment; as is the clever boat journey, which works perfectly in the traverse nature of the stage. Finally who doesn't like a water pistol fight. Even if you get it right in the eye...

So a full of fun adaption of the classic children's story, which kept the audience of all ages interested and was performed with absolute brilliance by four superb young actors. If you have a child to take, or want to have a relaxing time to switch your brain off and relive your own childhood, you won't get a better deal at the moment, than heading to Looking Glass to see this show.
«««½

Performance reviewed: Wednesday 20th July, 2016 at the Looking Glass Theatre, Northampton.

Wind In The Willows is running at St Peter's Church on selected dates and times between 
Wednesday 20th July and Saturday 30th July, 2016.

Looking Glass Theatre also has a website at http://www.lookingglasstheatre.co.uk/

(Photos: Looking Glass Theatre)

Popular posts from this blog

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...