Skip to main content

Review of Wind In The Willows by Looking Glass Theatre at St Peter's Church (Outdoors), Northampton

More possible years have passed than I wish to imagine since my last encounter with Kenneth Grahame's classic tale of the adventures (or misadventures) of a collection of lively, disturbingly human like animals. However as I watched James Smith's new stage adaptation of the tale, many things came swiftly back to me. Here was the classic messing about in the river line, there was the famous "Poop! Poop!", and there was Toad pretending to be a washer woman. The whole thing was pretty much back, if a little abridged to fit into its seventy minute running time.

That is not to say that this is a straight adaption for the stage, as it is at times more like a pantomime version of the story (albeit one without any "he's behind you!" business) in its absolute silliness. This is much in keeping of what you tend to get from Looking Glass in any case, a relaxed telling of a classic tale. It's what they are best at and it is very much not broke, so why try to break it.

There is however one vast difference for me with this production over the other children's shows of the last couple of years that have sprung from Looking Glass and that is the class of the cast performing it. Four of the best from this year's graduated University of Northampton BA Actors bring a new style and skill to the material offered.
Penelope May as Mole
Penelope May brings a highly energetic style to Mole, full of playfulness and with twitching nose investigates the new world she quite dramatically and literally pops into as the story opens. Of the four Mole is our way into the story as we travel with her meeting the assortment of characters, and Penelope has the exuberance to make our journey fun.
Penelope May as Mole, Stuart Warren as Toad and Sharni Tapako-Brown as Ratty
Hers and our first meeting is with a Ratty, performed with absolute style and sophistication by Sharni Tapako-Brown. We get the true cultured character from Sharni, as Ratty feels much more intelligent that ever before. Like all four cast members, she is captivating in her creation of the boat loving rodent.

No less captivating is Vandreas Marc, a genuinely inventive take on Badger, bringing as much of his own style to the role as that of Grahame's original wielding his stick as if its another appendage at times.
Vandreas Marc as Badger
However of the four main characters, it is Stuart Warren who perhaps nails his role the very best. His Toad is every bit what you would remember, the impulsive nature, the superiority he feels, the mischief he causes which ends him in no end of trouble. Stuart really is Toad, and with the last three roles I have seen him in, a blessing to finally see him as a fun, bubbly character. He completes a genuinely brilliant cast.

There are a number of inventive moments within this new adaptation that also work really well; Vandreas' and Stuart's beat boxing/rapping field mice are a very funny moment; as is the clever boat journey, which works perfectly in the traverse nature of the stage. Finally who doesn't like a water pistol fight. Even if you get it right in the eye...

So a full of fun adaption of the classic children's story, which kept the audience of all ages interested and was performed with absolute brilliance by four superb young actors. If you have a child to take, or want to have a relaxing time to switch your brain off and relive your own childhood, you won't get a better deal at the moment, than heading to Looking Glass to see this show.
«««½

Performance reviewed: Wednesday 20th July, 2016 at the Looking Glass Theatre, Northampton.

Wind In The Willows is running at St Peter's Church on selected dates and times between 
Wednesday 20th July and Saturday 30th July, 2016.

Looking Glass Theatre also has a website at http://www.lookingglasstheatre.co.uk/

(Photos: Looking Glass Theatre)

Popular posts from this blog

Review of Shrek the Musical at Royal & Derngate (Derngate), Northampton

Once upon a time, there was a splendidly green ogre who went by the name of Shrek. For many years, Shrek starred in a captivating and thrilling adventure set upon a theatre stage. This came to pass following a tale told in a Dream(works) in a cinematic spectacle. His tale was told in a truly fun way, with staging sublime, and endless mirth from a nefarious baddie who in many ways came up short.  However, around the corner, there was greater evil afoot as our green friend's show was undergoing a transformation for further adventures on stage. What possible way could this evil be stopped?  Sadly, for all, it could not and the evil reigned for a full UK tour which journeys most recently to the magical kingdom of the Royal & Derngate after a long adventure across the land. So, dear reader, forgive my fairy tale preamble, and perhaps, from that you might imagine this show isn't up to much and sadly you would be right. Shrek when it toured before to Northampton was a little ligh

Review of Disney's Aladdin at Milton Keynes Theatre

Back in 1992, Disney took the age-old tale of Aladdin and did their classic Disneyfying of the story and with the genius of Robin Williams in the role of the Genie, the film remains an immensely popular one to this day. Forward to 2011 and Disney took the show to the stage for the first time and with it the classic songs from Alan Menken with lyrics by Howard Ashman, Tim Rice and Chad Beguelin with a few additions. Since then it has continued to have huge success across the world. Having now arrived at Milton Keynes Theatre on a new tour of the UK & Ireland, it is easy to see why that success continues. This is a truly epic and spectacular show, perhaps the largest that you could find outside of the streets and avenues of the West End. From the opening number as the Genie welcomes us to the streets of the fictional Arabian city of Agrabah, the show simply oozes quality. Performances are top-notch with a large cast of leads and an ensemble at the top of their game. As Aladdin, Gavin

Review of Cluedo 2 at Milton Keynes Theatre

Back in 2022, the original Cluedo stage play, based on a 1985 play by Sandy Rustin, itself based on the cult US film Clue , journeyed to Milton Keynes Theatre as part of a UK tour. It was, it has to be said, an average affair, made good by some excellent staging and at times a very fair tribute to the original board game. Now two years later, the success of that tour clearly warranted a return to the franchise and we find Cluedo 2 now on stage at Milton Keynes Theatre. So, is a follow-up warranted, and does it address many of the issues of the original? Let's find out. Unlike the original and with no film source material to create a second play from, legendary TV comedy writers Maurice Gran and Lawrence Mark have taken the helm to provide the script for this production. Sadly, the legendary writers have for the best part plowed through their archives of extremely dated, and tiresome comedy. Much of the script is heavy on the obvious, high on the cringe, and while at times it can