Skip to main content

Review of Wind In The Willows by Looking Glass Theatre at St Peter's Church (Outdoors), Northampton

More possible years have passed than I wish to imagine since my last encounter with Kenneth Grahame's classic tale of the adventures (or misadventures) of a collection of lively, disturbingly human like animals. However as I watched James Smith's new stage adaptation of the tale, many things came swiftly back to me. Here was the classic messing about in the river line, there was the famous "Poop! Poop!", and there was Toad pretending to be a washer woman. The whole thing was pretty much back, if a little abridged to fit into its seventy minute running time.

That is not to say that this is a straight adaption for the stage, as it is at times more like a pantomime version of the story (albeit one without any "he's behind you!" business) in its absolute silliness. This is much in keeping of what you tend to get from Looking Glass in any case, a relaxed telling of a classic tale. It's what they are best at and it is very much not broke, so why try to break it.

There is however one vast difference for me with this production over the other children's shows of the last couple of years that have sprung from Looking Glass and that is the class of the cast performing it. Four of the best from this year's graduated University of Northampton BA Actors bring a new style and skill to the material offered.
Penelope May as Mole
Penelope May brings a highly energetic style to Mole, full of playfulness and with twitching nose investigates the new world she quite dramatically and literally pops into as the story opens. Of the four Mole is our way into the story as we travel with her meeting the assortment of characters, and Penelope has the exuberance to make our journey fun.
Penelope May as Mole, Stuart Warren as Toad and Sharni Tapako-Brown as Ratty
Hers and our first meeting is with a Ratty, performed with absolute style and sophistication by Sharni Tapako-Brown. We get the true cultured character from Sharni, as Ratty feels much more intelligent that ever before. Like all four cast members, she is captivating in her creation of the boat loving rodent.

No less captivating is Vandreas Marc, a genuinely inventive take on Badger, bringing as much of his own style to the role as that of Grahame's original wielding his stick as if its another appendage at times.
Vandreas Marc as Badger
However of the four main characters, it is Stuart Warren who perhaps nails his role the very best. His Toad is every bit what you would remember, the impulsive nature, the superiority he feels, the mischief he causes which ends him in no end of trouble. Stuart really is Toad, and with the last three roles I have seen him in, a blessing to finally see him as a fun, bubbly character. He completes a genuinely brilliant cast.

There are a number of inventive moments within this new adaptation that also work really well; Vandreas' and Stuart's beat boxing/rapping field mice are a very funny moment; as is the clever boat journey, which works perfectly in the traverse nature of the stage. Finally who doesn't like a water pistol fight. Even if you get it right in the eye...

So a full of fun adaption of the classic children's story, which kept the audience of all ages interested and was performed with absolute brilliance by four superb young actors. If you have a child to take, or want to have a relaxing time to switch your brain off and relive your own childhood, you won't get a better deal at the moment, than heading to Looking Glass to see this show.
«««½

Performance reviewed: Wednesday 20th July, 2016 at the Looking Glass Theatre, Northampton.

Wind In The Willows is running at St Peter's Church on selected dates and times between 
Wednesday 20th July and Saturday 30th July, 2016.

Looking Glass Theatre also has a website at http://www.lookingglasstheatre.co.uk/

(Photos: Looking Glass Theatre)

Popular posts from this blog

Review of Party Season at Royal & Derngate (Royal), Northampton

Formed in 2011, the theatre group The Wardrobe Ensemble has created many shows for both adults and children. Over the years, they have established a rich connection with the Royal & Derngate, staging several productions here, including the recent Mog: The Forgetful Cat . With Party Season now opening at the venue, the focus returns to an adult-centred show. Party Season tells its story through three children’s parties over the course of one weekend. The usual social situations occur, awkwardness, one-upmanship, and the true chaos of such events as children descend on a single house. Though the setting is children’s parties, Party Season goes deeper. It explores what it means to be a parent, and in one amusing moment, what it is like not to be one. Party Season is a return to the triumphant balance that The Wardrobe Ensemble has between buffoonery and stark, human emotional storytelling. The simplicity of seeing a switch from the cast doing Gangnam Style to an emotional monologu...

Review of Mean Girls - The Musical at Milton Keynes Theatre

The iconic 2004 teen movie Mean Girls has, despite 22 years passing, maintained relevance in modern youth culture; its “cautionary tale” still resonates. Therefore, back in 2017, original screenwriter Tina Fey created her musical adaptation of the story, maintaining the original's female empowerment and recognition of individuality while adding a little sprinkling of modernity, such as the arrival of mobile phones. It was such a success in London following a US debut that this UK Tour, now reaching Milton Keynes, was inevitable. Cady Heron, a teenager who has been home-schooled in Kenya, relocates to Chicago and confronts the fiercely competitive world at her new high school. Guided by the outcasts Janis and Damian, she strives for belonging but is soon drawn into the superficial "Plastics," ruled over by Regina George. Cady’s attempts to navigate both social circles spiral into rivalry, manipulation, and payback. While Mean Girls  may miss its target audience for this m...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...