Skip to main content

Review of Market Boy by The Royal & Derngate Actors Company at Royal & Derngate (Royal), Northampton

I have now written a little over two hundred and fifty reviews on this blog (yes I know, amazing. I am sorry). Most shows I have enjoyed, many I have given four star reviews, a good number have also got that lofty five stars from me. There is however hiding among them five star reviews, another tier of brilliance. One that lies in my head, where everything comes together to go beyond that five, but where I have nothing left to give. The play, the performances, the staging, and perhaps even more to elevate what is a personal opinion as a review, an actual personal emotional feeling or connection towards the piece.
Featured: Boy (Tom Cocker), Trader (Greg Dallas) and Mum (Helen Gibb)
Market Boy written by David Eldridge and performed by the Royal & Derngate Actors Company will (spoiler intended) receive five stars from me at the end of this review. However as that first paragraph suggests, this was one of those that went a little further for me. Set in what I happily claim as my decade and featuring throughout the music of that decade, which I claim as my own so called soundtrack of my life, Market Boy charts the rise and eventual fall of Thatcher Britain as experienced on Romford market through the eyes and lives of many larger than life traders. It is crude and extremely rude, much like a previous play, Days Of Significance, that I wholeheartedly rubbished a few months back, so whats the difference? Well Eldridge's script makes the important decision to actually make you like the characters within it, unlike Significance's characters, who are just horrible. Also while this is a very sweary play (and apparently one that made a number of audience members leave), every F and dreaded C somehow feels right, not only for the setting, but for the comedy effect. This is not lazy usage, this is clever and appropriate.
Tom Cocker as Boy
At the centre of the action is the Market Boy himself, played with superb progression by Tom Cocker. From the moment of his arrival in front of the safety curtain at the start of the production; ushered and cajoled by his Mum (a great little performance from Helen Gibb) into getting a job on the markets shoe stall, we visibly see Tom Cocker grow the character. At the start he is a brilliantly awkward teenager and into the second half, through his performance, we see him not only feel an older character, but also visible appear one as the years pass and his characters aggression takes hold. I have rarely seen a performance that travels with such clarity through a number of years, over the duration of a play.

His boss known as Trader is played with also a commanding and leering presence by Greg Dallas, all cocksure and certain to get the ladies into and promptly out of his stalls flash shoes for some activities in the back of his van. He is a typical larger than life trader, but one you can genuinely believe in, even if at times it gets a little like a swearing Only Fools And Horse situation.
Tom Cocker as Boy and Greg Dallas as Trader and cast.
Fellow shoe stall traders Don (Davin Eadie), Jason (Mark Yoxon) and Snooks (Ben Webb) are all also brilliantly created by the actors, with Ben in particular strong as the trader turned yuppy, up on his luck and as history then dictates, down on it. Great fun is made of his commonness, just in the way he uniquely says Porsche and Champagne.

Other standout performances in a universally brilliant cast are Alice McCracken as Boy's love interest, known simply as Girl. A captivating turn, full of high emotion and a genuinely classy performance delivering real tears in the sad final scenes, often beyond many professional performers. Will Adams is not only perfectly cast, but also really quite brilliant as the Meat Man, perhaps given three of the best received scenes on the night from the audience; with a simple stage re-entry to observe the treatment of his poultry; to a brilliant timed "Ah Bisto" moment; and finally perhaps one of the best moments in the play, the Churchillian speech, delivered impeccably.
Centre: Steve While as Nut-Nut and cast.
I loved Zoe Smith's interpretation of Thatcher and her reappearance during an acid trip will live long in the memory of individual theatre scenes. Sue Whyte's transforming Fish Woman is brilliantly and crudely delivered, with much more than a hint of relish, as is Vicky Kelly as Fat Annie and her lascivious attempts to make a man of Boy, portrayed in more than the very crudest of ways.

Stewart Magrath is an impossibly scary presence as The Toby, ruling the market with an iron fist and wielding his hammer with more than a hint of menace. His first appearance through the stalls and through our location of the front row, did really have its scary moments.
Featured: Ben Webb as Snooks and Tom Cocker as Boy, with cast.
I could effortlessly go on through the cast, as this without question had the strongest collection of amateur performances that I have yet seen. All of them brought something to proceedings, and perhaps not always seen every member of the large cast not only had lines, but real characters within them.

Director Jesse Jones also added an impressive amount of flair to the piece, using every space in the Royal, from front of curtain, to boxes, to aisles and in one case a deafening loud haler speech from the circle. The curtain rising to a ensemble performance to the strains of Frankie's Relax set the tone for a brilliant evening of comedy, drama and music. There was a simple but very effective set design from Meryl Couper, along with some nice use of lighting from Jonathan Designer, particularly prevalent during that Thatcher scene already alluded to above.

So yes, the amateurs of the Actors Company have produced a professional production, more enjoyable than any I have seen this year. Not only the best amateur show I have seen, but one of the top shows I have seen ever, with that something else factor. Bringing through it's brilliantly written script, a perfectly pitched historic time and place and a cast and production team of skill and dedication above and beyond many professional shows, a piece of theatre that I truly never will forget and one I so wish I had seen a second time. Simply brilliant in every way.

★★★★★

Performance reviewed: Saturday 23rd July, 2016 at the Royal & Derngate (Royal), Northampton.

Market Boy by the Royal & Derngate Actors Company was performed between Friday 22nd and Saturday 23rd July, 2016

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/


(Photos: Graeme Braidwood)
Featured: Tom Cocker as Boy and Greg Dallas as Trader
Featured: Jo Watts as Spanish Girl
Greg Dallas as Trader and Tom Cocker as Boy

Popular posts from this blog

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love. This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures. Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly...

Review of The Pillowman at The Playhouse Theatre, Northampton

The Pillowman sounds such a friendly title, and to be fair, his story is one of the lighter aspects of Martin McDonagh's script. It still involves dead children though, if you want to get a clear vision of how dark this play is. Set in a police state of the future, Katurian (Toby Pugh) is taken in for the content of his often violent stories and a similarity to a spate of recent child killings. Here in detention cell 13, his police captors, Tupolski (Adrian Wyman) and Ariel (Steve While) play good cop, bad cop while holding over the threat of violence against Katurian's mentally disabled brother Michal (Patrick Morgan), being held in another cell. The Pillowman is clearly a very warped story, with the blackest of black comedy, and often also very offensive with it's racial stereotyping and disability. In fact, it is no surprise that a couple left in the interval, as I would happily admit that this play is far from everyone. I like a good black comedy though, and ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...