Skip to main content

Review of What The Butler Saw at the Playhouse Theatre, Northampton

What The Butler Saw was my first encounter with the works of Joe Orton, and based on this I very much look forward to seeing more of his work on stage. Frantically insane, saucy and more importantly incredibly funny, this is a wicked little treat of a play. It helps that Masque have created a particularly lively version of it as well on the compact little Playhouse stage. It includes also a few quite lovely performances as well. Although it has to be said that others didn't quite get the best out of some incredibly funny dialogue moments.

Butler is a play that you take an open mind to, as even to this day almost fifty years after is debut the content could be considered fruity and a tad controversial. It does however never feel offensive, even when we have Churchill's appendages, rape, golliwogs and near nudity on offer. Quite a night at the theatre there.

The six strong cast show no inhibitions, especially the two ladies Lisa Shepherd (Geraldine Barclay), Nicky Osborne (Mrs Prentice) who often find themselves in little attire. From the men in the cast Jof Davies (Nicholas Beckett) and Peter Collins (Sargeant Match) also find themselves down to their pants and into dresses for absolute gender equality. Maintaining some balance in the madness, both Michael Graves (Dr Prentice) and Victor Guse (Dr Rance) keep their clothes on.

There are clearly three performers who stood out for me from the cast. Jof was exceptional and at last given a more meaty role to get his talent into after seeing him try to steal scenes with minor roles before. He really was brilliantly entertaining, both as the roguish bell-hop and a rather wonderfully entertaining lady in dress, although even a blind man might have seen through that particular disguise.

The two other star performances came from the ladies of the piece, with Lisa Shepherd once again bringing in an exuberantly entertaining performance. Full of life and comic timing, her magnificent little turn in the wheelchair as the drugs started to kick in a particular highlight. Finally of note was the wonderful Nicky Osborne as the sexually insatiable Mrs Prentice. It was also interesting, having last seen Nicky as Lady Macbeth, to see her return once again with blood on her hands. Maybe an uncomfortable pattern emerging here? There was certainly more of a spot this time though.

Peter Darnell directs with pace on the small stage, keeping everything moving surprisingly well. Even that quite frankly mad scene towards the end still seems to work (broken doors permitting), and praise also for ignoring all health and safety rules with that neat wire rope ladder trick, a quite unexpected surprise.

So a really successful and entertaining performance of an ambitious little play. Full of daring production ideas and a brave cast to take on such bold roles. A really pleasingly funny play well presented, I loved it!


Performance reviewed: Tuesday 31st May/Friday 3rd June, 2016 at the Playhouse Theatre, Northampton. 
What The Butler Saw was performed by the Masque Theatre between Tuesday 21st May and Saturday 4th June, 2016 at the Playhouse Theatre, Northampton.

Details can be found at http://www.masquetheatre.co.uk/

Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Matthew Bourne's Romeo + Juliet at Royal & Derngate (Derngate), Northampton

Despite now having seen a few dance shows encompassing many different styles, I had yet to see one developed by Sir Matthew Bourne, a controversial player in his time, but as the relatively recent knighthood suggests, now very much embraced by the establishment. So, does Romeo + Juliet live up to his name, that is the question? So, first, this might normally be where I give you a brief outline of the story, but, for one, most have a general understanding of the love disaster of William Shakespeare's play already, and two, as it turns out from the Bourne production, a huge amount of what you might be familiar with has gone or been dramatically changed anyway. There is shocking complicity in murders, there are different moments of murder and gone are the warring factions of the Montagues and Capulets. Characters themselves feel very different at times also, to such an extent that even knowing the play doesn't always make it clear who is who at times. So, if all that sounds...

Review of Oliver! by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

Two years ago this week, I saw for the first time the older faction of the Royal & Derngate Youth Theatre perform Sweeney Todd (I had seen one month before the younger part create the delightful Honk!). While a quite brilliant level of standard has continued in their productions since, nothing has quite reached that optimum point of Sweeney for me. Oliver! is their latest production and this epic scale show merges all of the age groups together to create a spellbinding piece of youthful and lively theatre that is rightfully packing the auditorium like no R&D youth show before. I have to say straight up that Oliver! does not beat the legend that is Sweeney for me, however it comes as close as we have ever been to doing so. A lot of this perhaps is down to my personal taste and Sweeney's two stunning leads, which have yet to be bettered. The macabre nature of Sweeney also gelled with me and Lionel Bart's tale, despite being packed with more known tunes than seems possib...