Skip to main content

Review of What The Butler Saw at the Playhouse Theatre, Northampton

What The Butler Saw was my first encounter with the works of Joe Orton, and based on this I very much look forward to seeing more of his work on stage. Frantically insane, saucy and more importantly incredibly funny, this is a wicked little treat of a play. It helps that Masque have created a particularly lively version of it as well on the compact little Playhouse stage. It includes also a few quite lovely performances as well. Although it has to be said that others didn't quite get the best out of some incredibly funny dialogue moments.

Butler is a play that you take an open mind to, as even to this day almost fifty years after is debut the content could be considered fruity and a tad controversial. It does however never feel offensive, even when we have Churchill's appendages, rape, golliwogs and near nudity on offer. Quite a night at the theatre there.

The six strong cast show no inhibitions, especially the two ladies Lisa Shepherd (Geraldine Barclay), Nicky Osborne (Mrs Prentice) who often find themselves in little attire. From the men in the cast Jof Davies (Nicholas Beckett) and Peter Collins (Sargeant Match) also find themselves down to their pants and into dresses for absolute gender equality. Maintaining some balance in the madness, both Michael Graves (Dr Prentice) and Victor Guse (Dr Rance) keep their clothes on.

There are clearly three performers who stood out for me from the cast. Jof was exceptional and at last given a more meaty role to get his talent into after seeing him try to steal scenes with minor roles before. He really was brilliantly entertaining, both as the roguish bell-hop and a rather wonderfully entertaining lady in dress, although even a blind man might have seen through that particular disguise.

The two other star performances came from the ladies of the piece, with Lisa Shepherd once again bringing in an exuberantly entertaining performance. Full of life and comic timing, her magnificent little turn in the wheelchair as the drugs started to kick in a particular highlight. Finally of note was the wonderful Nicky Osborne as the sexually insatiable Mrs Prentice. It was also interesting, having last seen Nicky as Lady Macbeth, to see her return once again with blood on her hands. Maybe an uncomfortable pattern emerging here? There was certainly more of a spot this time though.

Peter Darnell directs with pace on the small stage, keeping everything moving surprisingly well. Even that quite frankly mad scene towards the end still seems to work (broken doors permitting), and praise also for ignoring all health and safety rules with that neat wire rope ladder trick, a quite unexpected surprise.

So a really successful and entertaining performance of an ambitious little play. Full of daring production ideas and a brave cast to take on such bold roles. A really pleasingly funny play well presented, I loved it!


Performance reviewed: Tuesday 31st May/Friday 3rd June, 2016 at the Playhouse Theatre, Northampton. 
What The Butler Saw was performed by the Masque Theatre between Tuesday 21st May and Saturday 4th June, 2016 at the Playhouse Theatre, Northampton.

Details can be found at http://www.masquetheatre.co.uk/

Popular posts from this blog

Review of Top Gs Like Me at Royal & Derngate (Derngate), Northampton

Long before this brand new play by local playwright Samson Hawkins opened at Royal & Derngate Northampton, Top Gs Like Me had garnered a vast amount of media attention, especially regarding the staging within the Derngate theatre on a remarkable conversion into a skatepark, a theatre version of real-life Radlands skatepark in Northampton. So, delving deep below the remarkable site within the theatre, does Hawkins' play of seething toxic masculinity, misogyny and questions around consent strike all the right marks for a perfect landing? Top Gs Like Me follows the life, as he feels it is, of Aiden. Lost in the modern world, his best mate is heading to Uni, his mum is permanently in bed, and Aiden himself is drifting into some nefarious activities. His world is really often little more than stacking shelves in the supermarket, his scooter at his side and his mobile phone and all that entails for a youth of today. Into this world comes the mysterious Hugo Bang, who leads him some...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...