Skip to main content

Smile: Musical Variety Night Charity Concert at the Cripps Hall Theatre, Northampton

I wrote a tweet Saturday night following seeing this show: "For all the professional shows I have seen, there is nothing better than a night out watching amateurs do it for love and not loot."

This pretty much sums up my thoughts in general over amateur shows and why after over 180 shows reviewed on this blog, most of them professional. I still often find the most enjoyment from the amateur side. Amateur performers, like volunteers are a special bunch of people and their dedication can often trump the superstar that you might see treading the boards at the big theatres or the new breed of stars that sometimes prove that Britain's not always got talent, just ridiculous opportunity garnered from a television appearance. I quite often prefer amateurs and the University stars that are working hard on their courses and fighting for the chance. In my experience, that understudy is often better than the real thing.

So big thoughts, but it works well in leading to my review of the wonderfully entertaining charity concert I had the honour of attending Saturday night. Organised by performer Lisa Simpson in memory of her father to raise money for Willen Hospice, it brought together talent from around the county. This included performers from Northampton Musical Theatre Company (including their concert group), magician Clive Fletcher and special guest, the astouding talent of Joshua Daniel. Mr Daniel's Nessun Dorma was just one of many highlights from the evening, which included many favourites and a few lesser known musical theatre gems.

Standout moments of the evening included Lisa Simpson's Chicago number Maybe This Time, both suitable soft and powerful. This set the benchmark for a number of microphone busting performances. It was at times quite amazing the power of the singing. Jon Reynolds and Joshua Daniel's rendition of The Pearl Fishers Duet was also quite amazing and finished of the first section of the act one.

This was the perfect time for Clive Fletcher's first magic moment (in disguise for the first act).  Those who saw A Slice Of Variety at the Royal last year will be familiar with the performances. The second act painting trick however had the added interesting moment of not having perhaps the best audience participation moment. However Mr Fletcher dealt with it as professionally as could be expected from an awkward moment.

The second part of the music in the first act was opened with an admittedly nervous Tayla Sherman, but it was a lovely and tender little performance of Castle on a Cloud from Les Miserables. Next up saw Dawn Hall reprise 16 Going on 17, which had brought the house down at last year's A Slice Of Variety. This time her partner in crime was Jon Reynolds standing in for a sick Mark Woodham. He was the perfect foil for Dawn's hilarious performance. I absolutely loved Jon once again with Leisa Cooke and their Spamalot's piece The Song That Goes Like This. Highly entertaining! As was Ian Hammond-Stark's lively performance of Aladdin number Friend Like Me. The first act had a wonderful shop stopping number from star of the future for certain, Josh Wright. Both delivery and style of the piece made it one of the best of the night. A devilishly captivating performance.

The second act was opened with the NMTC concert group going through a whistle stop tour of musical numbers by Andrew Lloyd-Webber. Stirring and wonderful. Of the other performances in the second half, the highlights were Lisa Simpson and Ian Hammond-Stark's 17 and the former once again joined by Karen Mead in Man Wanted from Copacabana.

The entire evening though ended in a tremendous high with a quartet of songs from the magnificent Les Miserables. Closing with the superb comic Master of the House and the tremendously performed One Day More. It all ended the whole evening on an incredible high.

So a magnificent night and one I must thank Katie for giving me the heads up on, as I had missed this one and now very much would have been sad to have not been present. A musical evening of wonderful entertainment and congratulations to all involved and a very special congratulations to Lisa Simpson for organising the event.


Performance reviewed: Saturday 23rd January, 2016 at the Cripps Hall Theatre, Northampton.

This event was a special one night performance in aid of Willen Hospice. For details of the hospice, see their website at http://www.willen-hospice.org.uk/

Popular posts from this blog

Review of A View from the Bridge at Royal & Derngate (Royal), Northampton

Although writer Arthur Miller died 15 years ago, and last published a play almost 30, he remains a force to be reckoned with, and you are probably still never far from production of one of his works, albeit one of probably just four from his back catalogue of 33 plays. If you pressed someone to choose his best, they would probably more often than not say The Crucible , because A: they studied it, or B: they have actually seen it. As for best though, maybe not. Perhaps that lies with the simpler format of A View from a Bridge , the gritty tale of immigration in the fifties. So, does this new version, a co-production between Royal & Derngate and York Theatre Royal, do it justice? In 1950s New York, hardworking longshoreman Eddie Carbone lives a simple life with his wife and niece deep in an immigrant community. When two of her Sicilian cousins arrives, slowly Eddie's life begins to change forever. In a theatre world where life is rarely simple anymore and directors of...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Hi-De-Hi at The Deco, Northampton

I was a fan of Hi-De-Hi in the eighties and in actual fact a fan of many of those very much of their time comedies. Hi-De-Hi was a bright and breezy and overly familiar show having ended up at many a holiday in the Maplins equivalent of Butlins, albeit not the fifties setting, but with very little changed in the decades anyway. However, we have moved on a bit since these eighties days, so does Croft and Perry's comedy still cut the mustard now? The answer is yes and no, a lot of the humour is still fun and there are many a chuckle moments, the characters also are still bold and fun enough to provide some great entertainment. However, with these characters lie the first problem with an acting group doing a show like this. Anyone familiar with the show and its nine series run will have the characters so indelibly marked in their head and this offers no freedom for a performer to make that character their own, they are just setting out to copy someone. Yes, a challenge, and w...