Skip to main content

Smile: Musical Variety Night Charity Concert at the Cripps Hall Theatre, Northampton

I wrote a tweet Saturday night following seeing this show: "For all the professional shows I have seen, there is nothing better than a night out watching amateurs do it for love and not loot."

This pretty much sums up my thoughts in general over amateur shows and why after over 180 shows reviewed on this blog, most of them professional. I still often find the most enjoyment from the amateur side. Amateur performers, like volunteers are a special bunch of people and their dedication can often trump the superstar that you might see treading the boards at the big theatres or the new breed of stars that sometimes prove that Britain's not always got talent, just ridiculous opportunity garnered from a television appearance. I quite often prefer amateurs and the University stars that are working hard on their courses and fighting for the chance. In my experience, that understudy is often better than the real thing.

So big thoughts, but it works well in leading to my review of the wonderfully entertaining charity concert I had the honour of attending Saturday night. Organised by performer Lisa Simpson in memory of her father to raise money for Willen Hospice, it brought together talent from around the county. This included performers from Northampton Musical Theatre Company (including their concert group), magician Clive Fletcher and special guest, the astouding talent of Joshua Daniel. Mr Daniel's Nessun Dorma was just one of many highlights from the evening, which included many favourites and a few lesser known musical theatre gems.

Standout moments of the evening included Lisa Simpson's Chicago number Maybe This Time, both suitable soft and powerful. This set the benchmark for a number of microphone busting performances. It was at times quite amazing the power of the singing. Jon Reynolds and Joshua Daniel's rendition of The Pearl Fishers Duet was also quite amazing and finished of the first section of the act one.

This was the perfect time for Clive Fletcher's first magic moment (in disguise for the first act).  Those who saw A Slice Of Variety at the Royal last year will be familiar with the performances. The second act painting trick however had the added interesting moment of not having perhaps the best audience participation moment. However Mr Fletcher dealt with it as professionally as could be expected from an awkward moment.

The second part of the music in the first act was opened with an admittedly nervous Tayla Sherman, but it was a lovely and tender little performance of Castle on a Cloud from Les Miserables. Next up saw Dawn Hall reprise 16 Going on 17, which had brought the house down at last year's A Slice Of Variety. This time her partner in crime was Jon Reynolds standing in for a sick Mark Woodham. He was the perfect foil for Dawn's hilarious performance. I absolutely loved Jon once again with Leisa Cooke and their Spamalot's piece The Song That Goes Like This. Highly entertaining! As was Ian Hammond-Stark's lively performance of Aladdin number Friend Like Me. The first act had a wonderful shop stopping number from star of the future for certain, Josh Wright. Both delivery and style of the piece made it one of the best of the night. A devilishly captivating performance.

The second act was opened with the NMTC concert group going through a whistle stop tour of musical numbers by Andrew Lloyd-Webber. Stirring and wonderful. Of the other performances in the second half, the highlights were Lisa Simpson and Ian Hammond-Stark's 17 and the former once again joined by Karen Mead in Man Wanted from Copacabana.

The entire evening though ended in a tremendous high with a quartet of songs from the magnificent Les Miserables. Closing with the superb comic Master of the House and the tremendously performed One Day More. It all ended the whole evening on an incredible high.

So a magnificent night and one I must thank Katie for giving me the heads up on, as I had missed this one and now very much would have been sad to have not been present. A musical evening of wonderful entertainment and congratulations to all involved and a very special congratulations to Lisa Simpson for organising the event.


Performance reviewed: Saturday 23rd January, 2016 at the Cripps Hall Theatre, Northampton.

This event was a special one night performance in aid of Willen Hospice. For details of the hospice, see their website at http://www.willen-hospice.org.uk/

Popular posts from this blog

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...