Skip to main content

Review of Ghost Walk 2015 from Looking Glass Theatre, Northampton

Last year in my review of the Ghost Walk I made it clear that I wasn't the biggest believer of ghostly apparitions. So I returned for more this year, not to be swayed into a believer, but to experience the best part of last years walk, the historical information. Rather thrillingly (and I take no credit. Or do I?) the ghost walk had not only dispersed of the slightly incongruous theatre performance filler, but also upped the ante on the history lesson.

While ghosts were still of course on the menu (poltergeist stew anyone?), this year we also had the chance to learn a great deal more of solid historical information about the main four venues we visited. Our tour began at St Peter's Church, were we learned a little about the history of the place and who was buried there. We also got a chance to explore in the dark for a few moments.





















The church itself is an amazing building and it is a shame that is has been so rarely used for the last twelve years. However Looking Glass themselves are set to change this dramatically now that it is to be their new performance space.

Our journey then took us onto somewhere I have been before, but not for sometime; Castle Hill. Where indeed there is a mound of earth which barring a moved gate is pretty much all that represents Northampton's very long gone castle. We were told of a lady with a candle who is supposed to walk the area in search of some also long lost item. Some of our party saw an apparition apparently. I myself could not comment.

The third main stop came after a brief detour to outside a car park which is supposed, and very likely perhaps to be a burial ground for victims of the Black Death. However onto Hazelrigg House, now the base camp of Looking Glass and somewhere I had some brief experience with earlier in the year. Here we were told of many supposed experiences of ghostly moments in this well regarded haunted house, once visited in all belief by Oliver Cromwell and is a survivor of the Fire of Northampton in 1675. This was to be the main base of some ghostly theatrical moments, those of which as a wise young lady with us said, were more scary before they started moving. It is an amazing building with much history and great, albeit briefly to be in there again.

The final stop on the tour was the Black Lion pub where we visited a function room and more interestingly the cellar and quite a small but creepy place it is. We were plunged into darkness twice in the Black Lion much to the consternation of a couple of the party, however no ghosts sadly made there presence felt or were heard on the recording I made on my phone.

Once again a more interesting tour for me over the ghost walk part, but the ghost parts were wonderfully presented as in 2014 with great period costume and make-up. Part of the interest also of a tour is the company we keep and those on my particular one were interesting and also interested in what they were being. The included the aforementioned scared/not scared young lady, and as well also great credit to the stick wielding gentleman who completed the tour fully despite there being some challenging access moments at the Black Lion, where I showed my limbo prowess.

Super stuff once again and excellently and pleasantly presented by our guide James Smith. I look forward to where the Looking Glass shall be taking us for the 2016 tour.

««««

Tour experienced: Friday, 30th October 2015 (5pm)

The Looking Glass Ghost Walk 2015 ran between Monday, 26th and Saturday 31st October, 2015.


Looking Glass Theatre's website can be found here: http://www.lookingglasstheatre.co.uk/ and they are on Twitter @LGTheatre and Facebook at https://www.facebook.com/lgtheatre

Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of The Spy Who Came in From the Cold at Milton Keynes Theatre

The Spy Who Came in From the Cold is one of John Le CarrĂ©’s more well-known titles in his world of spy fiction, and having been adapted into a highly rated 1965 film with Richard Burton, it is perhaps surprising that it took until 2024 for this stage adaptation to appear, adapted by David Eldridge, and now at Milton Keynes Theatre. In many ways, it feels like a ripe story for a stage play, with locations and theatre folk often liking the cerebral storytelling it offers, so this should be perfect for the stage? The Spy Who Came in From the Cold depicts Alec Leamas, a British intelligence officer, being sent to East Germany as a faux defector to sow disinformation about Hans-Dieter Mundt, a powerful East German intelligence officer. However, as expected in the spy world, all is not as it seems, and with the lurking figure of the supposedly retired spy George Smiley in the background, Leamas finds things moving far from his control. It has to be said that Eldridge’s adaptation struggles...