Skip to main content

Review of R&D Community Choir 10th Anniversay Gala Concert at Royal & Derngate (Royal), Northampton

...and on the seventh day I sat for the fourth night in those seven days in a Royal Theatre seat and watched something I hadn't even seen live before. Its quite clear that Royal & Derngate have spoiled me this week with their variety. Saturday saw storytelling, Monday saw physical theatre with mime, Thursday saw stand up and on the final night it was this show, a very much more homegrown affair.

The Royal & Derngate Community Choir celebrated its 10th anniversary in glorious style with a gala of epic Last Night Of The Proms proportions in which no one appeared to want to go home. I didn't really either (although watching the England rugby game till near 1am was a bit straining), as it was a quite glorious evening of powerful, bone shaking, neck hair lifting proportions. It was the first time I had seen the choir in a full show, having previously seen them in the occasional warm ups that they do in the foyer (the reason I was at this show really).

During the gala I was impressed with the variety of songs they covered, from traditional classics, to very modern numbers via at least one (not certain how many) self created ones. During the evening many took turns in the spotlight, all excellent, some exceptional. The pick of them for me were Jenna Cox, Anna-Marie Johnson, Lisa Rowley and the constantly blushing and continuously teased Kevin Aird. Purely my picks as like I say they were all great. The best of the tunes performed for me were River Deep Mountain High, Unforgettable and my modern favourite Rather Be. Also a highlight was the obligatory Happy and fulfilled the occasional need of the crowd to rise and clap their hands.

The only real sour note of the evening for me was the special guest, who to me was not very special at all. An apparent star of the past, and well received by those that knew who she was, but for the rest of us a touch bewildering. Not to say that there was anything wrong with the singing, more the antics. Downright bizarre at times, and for me a touch inappropriate, especially with the age of some of them present. It was for me an excruciating fifteen minutes, and I was most certainly not the only one who felt it. However this was a small part just before the interval where the true stars were missing. They were promptly back in the second half and the guest was nowhere to be seen.

A superb evening, most excellently presented by choir director Gareth Fuller and an exceptional lineup of talent on display. A highlight amoung many highlights this week at Royal & Derngate.

««««

Performance reviewed: Friday 6th February, 2015 at the Royal & Derngate (Royal), Northampton.

The Royal & Derngate Community Choir 10th Anniversary Gala Concert was a one-off event performed at the Royal & Derngate (Royal) on Friday 6th February, 2015. Details of the choir can be found here: http://www.royalandderngate.co.uk/GetInvolved/Community/Choir/ or followed on Twitter @RDCCperformers or on Facebook at https://www.facebook.com/RDCCperformers

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Inspector Morse: House of Ghosts at Milton Keynes Theatre

The intellectually leaning Inspector Morse first appeared in print in the works of Colin Dexter in 1975 and became even more prominent in popular culture in 1987 when John Thaw took on the role in a series that would run for fourteen years. As well as generating a couple of spin-off TV series, Melting Pot and Birmingham Rep have now finally taken the detective to the stage in Inspector Morse: House of Ghosts , an original story written by TV series contributor Alma Cullen. So, as the play arrives at Milton Keynes Theatre this week with Tom Chambers now taking the eponymous role, does the Oxford intellectual make a smooth transition to the stage? Our story opens with Morse enjoying a stage production of Hamlet with a would-be love interest, Ellen. As expected, things quickly turn towards the need for a detective in the house as one of the players mysteriously collapses and dies live on stage. House of Ghosts opens excellently, drawing the audience in as a classic Hamlet scene suddenly ...

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...