Skip to main content

Review of Peter Pan Goes Wrong at Royal & Derngate (Royal), Northampton

Having seen Mischief Theatre's phenomenal The Play That Goes Wrong three times last year, there was a strange and uncomfortable feeling at the start of Peter Pan Goes Wrong for me. Creators Henry Lewis, Jonathan Sayer and Henry Shields have come up with such a well defined collection of characters, complete with their own personal foibles (and indeed desires), that it felt sacrilege to see different people playing them. For my three viewings last year, I had been privileged to see the original cast on all occasions, so who on earth was that person playing stage manager Trevor (actually Chris Leask)? Causing the usual pre-show mayhem (this time right in front of my row), he acted and sounded the same yes, but he looked, just different. Then who on earth is this guy pretending to be director Chris Bean?

However this was my own foible because once the onstage chaos began, none of it mattered, as once again myself and the audience were carried away in a chaotic, blistering and immensely funny adventure. Presenting his Christmas vignette (not a pantomime), director Chris Bean (Laurence Pears) welcomed us to the show in front of the curtains and was this time joined by the finely bearded Robert Grove (Cornelius Booth), and an important beard that was to become. All the other favourite characters were also back in action, including poser and prancer Sandra "sick moves" Wilkinson (played gloriously over the top by Leonie Hill) and crowd favourite Max Bennett (always taking a bow Matt Cavendish). Former assistant stage manager Annie (Naomi Sheldon) is also back, this time promoted to a quick changing cast member from the outset, no longer dragging the likes of myself onstage to hold mantelpieces in place. It is a huge credit to the writers that in two single plays they have created such defined characters who even allowing for the cast changes are still all so unique and recognisable.

The ante has also been lifted in the set design with a quite incredible revolving stage. Danger, pace and lunacy could not be greater, especially when as expected there is a slight problem and it offers little wondrous windows into the lives of these larger than life characters as they strike seven bells out of one another. Much of the antics are similar to TPTGW, but I suspect that was why many were here, for more of the same. New problems were of course found from the Peter Pan material, particular with the flying. No chance was missed with this to inflict as much damage as possible on the cast members. Also a very clever scene came from Peter and Wendy's journey to the bottom of the sea. This was so good and well performed that you could genuinely see how difficult it can be to make something to appear to go so wrong. Masters were indeed at work.

Real world director Adam Meggido has created a quite incredible little feast that can never fail to delight. While performed on Simon Scullion's playground of a set, which is never far from disaster itself, this is without doubt a stunning production that uses much of the originals charm and success. While also building superbly with the characters and ideas that there must surely be a third installment soon. This is a must see and comes more highly recommended that my five stars will allow.

«««««

Performance reviewed: Monday 23rd February, 2015 at the Royal & Derngate (Royal), Northampton.

Peter Pan Goes Wrong is on at the Royal & Derngate (Royal) until Saturday 28th February, 2015 before touring. Details can be found at Mischief Theatres website at http://www.mischieftheatre.co.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...