Skip to main content

Review of Honk Jr. by the Royal & Derngate Youth Theatre at Royal & Derngate (Underground), Northampton

Honk Jr could not be described as high art, a collection of silly songs and corny jokes (Not marmalade dad, WHAT"S MAMA LAID!!!), it was just simply pure fun performed by a mighty band of youngsters, who they themselves appeared to be having high fun while also for so young, staying professional throughout.

Honk Jr. is a junior version of Honk, which in turn is a musical version of the Ugly Duckling. Honk! was written by George Stiles (music) and Anthony Drewe (lyrics) and originally performed in 1993 in Newbury. The junior version is a slightly adapted version with some alterations to characters and songs, but it maintains some of its more grown-up jokes (I haven't been out there since your father and I were courting...and I didn't mean to go that far then!), that are the little bits for the adults and did offer some interesting responses I noted from the audience.

Before I get to the performers, I have to make special mention of the set which was a delight (and latterly I learned a touch of the A Tale Of Two Cities). Clever ideas like the rubber parts of the set allowing the cast to pass through "wood" and the early centrepiece with some of the cast already present (albeit hidden) was well designed allowing the young performers to create different areas of staging as the play moved on. The art work on the floor was also very well realised.

However back to our young performers and what a talented bunch they were for ones so young. All the leads were impressive with Connor Charles Christy as Ugly providing a good honk and a lovely well done transformation scene at the end. Both of Ugly's parents, Aimear Hannah Elson and Curtis Sloan (down the watering hole!) were also impressive, well to be honest pretty much all the cast were. However the stand out performer for me; and was also for one young lad in the crowd as well I think, who cried out "THE CAT" when she returned later in the play; was Zoe Holloway. The perfect young feline performed by one of the shorter cast members, but with a performance above her size. Strutting around proudly as the perfect puss would, she was a delight and the scene stealer whenever she was on stage.

The songs themselves were generally all well performed with an understandable obvious mixture of standards of vocal talents, but all perfectly pleasant and a few talents on show for the future if they keep it up. The musical pieces were all well staged, with the stand out group performances of "The Wild Goose Chase" and "Warts And All" being the highlights.

Overall this was a very well staged and performed version of what is just a silly little feel good musical and sometimes we all want just a good bit of silly in our lives. Even more so us grown-ups!

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...