Skip to main content

Review of Honk Jr. by the Royal & Derngate Youth Theatre at Royal & Derngate (Underground), Northampton

Honk Jr could not be described as high art, a collection of silly songs and corny jokes (Not marmalade dad, WHAT"S MAMA LAID!!!), it was just simply pure fun performed by a mighty band of youngsters, who they themselves appeared to be having high fun while also for so young, staying professional throughout.

Honk Jr. is a junior version of Honk, which in turn is a musical version of the Ugly Duckling. Honk! was written by George Stiles (music) and Anthony Drewe (lyrics) and originally performed in 1993 in Newbury. The junior version is a slightly adapted version with some alterations to characters and songs, but it maintains some of its more grown-up jokes (I haven't been out there since your father and I were courting...and I didn't mean to go that far then!), that are the little bits for the adults and did offer some interesting responses I noted from the audience.

Before I get to the performers, I have to make special mention of the set which was a delight (and latterly I learned a touch of the A Tale Of Two Cities). Clever ideas like the rubber parts of the set allowing the cast to pass through "wood" and the early centrepiece with some of the cast already present (albeit hidden) was well designed allowing the young performers to create different areas of staging as the play moved on. The art work on the floor was also very well realised.

However back to our young performers and what a talented bunch they were for ones so young. All the leads were impressive with Connor Charles Christy as Ugly providing a good honk and a lovely well done transformation scene at the end. Both of Ugly's parents, Aimear Hannah Elson and Curtis Sloan (down the watering hole!) were also impressive, well to be honest pretty much all the cast were. However the stand out performer for me; and was also for one young lad in the crowd as well I think, who cried out "THE CAT" when she returned later in the play; was Zoe Holloway. The perfect young feline performed by one of the shorter cast members, but with a performance above her size. Strutting around proudly as the perfect puss would, she was a delight and the scene stealer whenever she was on stage.

The songs themselves were generally all well performed with an understandable obvious mixture of standards of vocal talents, but all perfectly pleasant and a few talents on show for the future if they keep it up. The musical pieces were all well staged, with the stand out group performances of "The Wild Goose Chase" and "Warts And All" being the highlights.

Overall this was a very well staged and performed version of what is just a silly little feel good musical and sometimes we all want just a good bit of silly in our lives. Even more so us grown-ups!

Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...