Skip to main content

Review of the opening day of the Looking Glass Theatre Move, Northampton

I had sadly missed the dressed rehearsal for my debut as theatre mover extra and therefore arrived for the opening performance on Thursday 30th July lacking in both knowledge of where to stand or what my lines were. It was fortunate however that, while boxes had been packed and clothes rails had been filled, there was to be much improv involved with the performance.

Upon my arrival to the stage the performance had begun, with director James Smith marshaling his company of Jasper and Sam. The show itself began with little originality as I fell into my role with the rest of the performers of moving box to van, box to van, box to van. You get my gist? The main bit of excitement of the first act came from these chaps:


Never could you have possibly dreamed of finding more clothes. Also never could you have imagined how troublesome at times the innocent rails could be become. Be it their too small wheels, falling apart frames or simply being too tall for the world they surrounded. These rails were the bad actor, the one that you so wished was being filled by the understudy.

By this time in the performance the stage had also been filled by two new arrivals, named on their equity card as Leigh and Jess. They swiftly disappeared to the bar area, but I understand they were filling boxes and not just drinking coffee or tea. For much of the time the sound of musical theatre tunes emanated from their direction.

However while many of the clothes rails were certainly not defying gravity with their threats to crush innocent cast members, the first load was soon filled thanks to the performers including the seemingly strong man champ Jasper.

With a full load done it was time to have a pit stop for drinks and your hero of the piece took his chance to sneak behind the stage for the first time. Behold the behind the counter world!


While I was behind the scenes, I did also find another performer. There was however very much a hint of woodenness about his performance.


So after drinks of our choice, chocolate for myself of course (but lacking sadly in the marshmallow area), we were off in the van. Well I wasn't as there was no room for me, so I hitched a lift with Leigh and Jess (and added dog hair) and we promptly tried to get lost on a few minute journey. When we did arrive however there were much antics going on as the lorry was sort of trapped in a in/out flux at the car park at Hazzlerigg, erm Hazlerigg, ah Hazlerigg, eh Hazelrigg. Ah yes, blooming spellchecker.

Anyway our smooth traverse onto the new stage had been compromised by some troublesome theatre comers. These had no tickets, no roles and while they were not using their mobiles or opening noisy sweet wrappers, their appearance was almost certain to set the theatre critics on edge. They were of course TAXIS! Seemingly a never ending stream, they came from all directions and blocked our passage.

Once they had been dealt with however, the lurching and jolting lorry made its way into the car park and the first unload was to begin. A new arrival to the cast also appeared on the new stage, whom in the absence of a programme I was lacking in name, so he shall be known as Father Leigh.

Before us though lay the new stage of Hazelrigg House!


So the unload began, box to room, box to room, clothes rail to room, box to room, clothes rail to room. The audience were gripped. However the lorry was soon unloaded, so we took this opportunity to have an exploration of the new surroundings. There were many fascinating sites within.

There were stairs:

There were doors:

There was a kitchen:

There were beams:

There was a toilet (the first time I have ever taken a picture in one, honest):
There was a cellar:
There was a wasp armageddon:

It really was endlessly exciting, so we left and got more stock.

The second loading was to be my last performance in the show sadly as my obvious skills were needed elsewhere. In this final run there were more clothes rails of course and some surprisingly heavy tables. Although my muscle most certainly could lift them.

There was sadly before I left to be a dramatic casualty. A terrible, terrible victim of an out of control clothes rail. So I dedicate this entire piece to the sad loss of Sam's soul. Erm, I mean sole.


Goodbye Looking Glass Theatre.











Hello Looking Glass Theatre!

Artist: Adrian Teal


Performance reviewed: Thursday 30th July, 2015 at the Looking Glass Theatre, Northampton.

The Looking Glass Theatre Move was performed between Thursday 30th July and 3rd August, 2015
Looking Glass Theatre also has a website at http://www.lookingglasstheatre.co.uk/

Popular posts from this blog

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love. This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures. Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly...

Review of The Pillowman at The Playhouse Theatre, Northampton

The Pillowman sounds such a friendly title, and to be fair, his story is one of the lighter aspects of Martin McDonagh's script. It still involves dead children though, if you want to get a clear vision of how dark this play is. Set in a police state of the future, Katurian (Toby Pugh) is taken in for the content of his often violent stories and a similarity to a spate of recent child killings. Here in detention cell 13, his police captors, Tupolski (Adrian Wyman) and Ariel (Steve While) play good cop, bad cop while holding over the threat of violence against Katurian's mentally disabled brother Michal (Patrick Morgan), being held in another cell. The Pillowman is clearly a very warped story, with the blackest of black comedy, and often also very offensive with it's racial stereotyping and disability. In fact, it is no surprise that a couple left in the interval, as I would happily admit that this play is far from everyone. I like a good black comedy though, and ...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...