Skip to main content

Review of A Murder Is Announced at Royal & Derngate (Royal), Northampton

While The Mousetrap continues to capture audiences in London, and the current run, also in London, of Witness for the Prosecution, continues to entertain, it seems the perfect time for a bit of regional Agatha Christie as well. Step forward the Middle Ground Theatre Company and their version of the Miss Marple tale, A Murder is Announced.

Chipping Cleghorn residents are astonished when the announcement of murder appears in the local newspaper. Enter Miss Marple, here for some treatment to her rheumatism, and clutching flowers in an attempt to not look too eager, to help unravel events.

A Murder is Announced is classic Christie, big characters, red herrings, knitting needles and twist, twist and another twist, and drawn out upon a gorgeously detailed set, filled with chair after chair, and I can't help but think director and designer Michael Lunney deliberately got character Julia Simmons to test ever chair (bar the chaise longue) in the first five minutes, just to say, hey look at all these chairs.

As the feature character, Miss Marple, Sarah Thomas happily brings her interpretation to the role, shying away from the many versions we have seen over the years. She still has the curiosity, feistiness, and mischievousness, but this is Thomas' take without a doubt. It's perhaps a shame though that she has, as ever it seems, very much a back seat in her own story, as Inspector Craddock is the much more important character here, whittling out the clues. It is handy therefore that Craddock is brilliantly created by Tom Butcher, a witty, world-weary styling of a role. He spars with Thomas superbly in their few true scenes together, leaving you sad that you don't get a few more opportunities to witness it.

Elsewhere Barbara Wilshere is solid, if at times a little underwhelming, as the lady of the house, Letitia Blacklock. Much better is Karen Drury as the brilliantly dotty Dora Bunner, beautifully created with some nice and consistent mannerisms as well.

Lucy Evans is superb as the plum voiced, sharp talking Julia Simmons, and Will Huntington has great fun as her brother Patrick. Finally from the cast, Lydia Piechowiak effortlessly steals every scene as the maid Mitzi, convinced everyone is out to get her, and master of the one-liners, providing many of the comic moments.

There are weak points, of course, it can all be a little slow at times, especially the long first act, and a few too many lines in Leslie Darbon's adaptation. The pace is also not helped by the now rare sight of curtain down during scene changes, some of which went on curiously long. Some of the sound effects were a bit unusual too and not particularly well localised for a professional show, hence when the patio doors were opened, the coo-coo of the pigeons didn't sound like it was coming from the patio doors at all. The key dramatic moment of death also, while relatively well lit and cleverly staged, was let down a touch by a rather limp sounding end.

A Murder is Announced though is standard fair and everything you would expect of Christie. While a few true fans might baulk a little at the remodelling of the original tale, it still should tick many of the boxes to keep them happy. A play not without its faults, but more than entertaining enough for these cold winter nights.

Solid and stylish looking adaptation of the Christie tale.
⭐⭐

Performance reviewed: Wednesday 13th Januar 2020 at the Royal & Derngate (Royal), Northampton.
A Murder is Announced runs at Royal & Derngate until Saturday 18th January 2020 before continuing its tour.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Popular posts from this blog

Review of Blue/Orange at Royal & Derngate (Royal), Northampton

The challenging and socially relevant Blue/Orange by Joe Penhall was published in 2000 and back then, this caustic exploration of mental health, and more specifically black mental health issues, was a tremendously relevant play. When it debuted on stage in London, the cast of just three was played by Bill Nighy, Andrew Lincoln and Chiwetel Ejiofor. Director James Dacre doesn't have those names to play with so much in his cast, however here, he has worked with the writer himself to rework the play for a more modern audience. Does it still shock, and is the relevance still there today? Sadly, perhaps, the answer is yes, as doctors Bruce Flaherty and Robert Smith come to verbal blows over the health of patient Christopher, at times, you feel 21 years shed little light on how mental health is approached. Many references in the script, still sit unquestionably in the year 2000, however, with this reworking, one thing has changed dramatically. In the original version of the play, the two

Review of Shrek (NMTC) at Royal & Derngate (Derngate), Northampton

Three and a half years ago, in a land far far away, in a world very different to the one we are now in, I saw the touring professional production of Shrek The Musical , it was a mixed bag of quality, tilted extremely heavily in favour of one particular character (not the one you might expect) and not firing on all cylinders much of the time. One and a half years after my last visit to the Derngate theatre, I return to see the homegrown Northampton Musical Theatre Company's own take on the very same show. Would they be able to breathe more life into the show than the professionals did in that distant land? It is a bit of a yes and no really. Pretty much all of this is done to the best possible standard, and at times, with being an amateur show you could easily forget, they all have normal day jobs. The show oozes professional quality at times. The set looks magnificent, the costumes (from Molly Limpet's Theatrical Emporium) are superb, and as ever with NMTC, the backstage team c

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)