Skip to main content

Review of A Murder Is Announced at Royal & Derngate (Royal), Northampton

While The Mousetrap continues to capture audiences in London, and the current run, also in London, of Witness for the Prosecution, continues to entertain, it seems the perfect time for a bit of regional Agatha Christie as well. Step forward the Middle Ground Theatre Company and their version of the Miss Marple tale, A Murder is Announced.

Chipping Cleghorn residents are astonished when the announcement of murder appears in the local newspaper. Enter Miss Marple, here for some treatment to her rheumatism, and clutching flowers in an attempt to not look too eager, to help unravel events.

A Murder is Announced is classic Christie, big characters, red herrings, knitting needles and twist, twist and another twist, and drawn out upon a gorgeously detailed set, filled with chair after chair, and I can't help but think director and designer Michael Lunney deliberately got character Julia Simmons to test ever chair (bar the chaise longue) in the first five minutes, just to say, hey look at all these chairs.

As the feature character, Miss Marple, Sarah Thomas happily brings her interpretation to the role, shying away from the many versions we have seen over the years. She still has the curiosity, feistiness, and mischievousness, but this is Thomas' take without a doubt. It's perhaps a shame though that she has, as ever it seems, very much a back seat in her own story, as Inspector Craddock is the much more important character here, whittling out the clues. It is handy therefore that Craddock is brilliantly created by Tom Butcher, a witty, world-weary styling of a role. He spars with Thomas superbly in their few true scenes together, leaving you sad that you don't get a few more opportunities to witness it.

Elsewhere Barbara Wilshere is solid, if at times a little underwhelming, as the lady of the house, Letitia Blacklock. Much better is Karen Drury as the brilliantly dotty Dora Bunner, beautifully created with some nice and consistent mannerisms as well.

Lucy Evans is superb as the plum voiced, sharp talking Julia Simmons, and Will Huntington has great fun as her brother Patrick. Finally from the cast, Lydia Piechowiak effortlessly steals every scene as the maid Mitzi, convinced everyone is out to get her, and master of the one-liners, providing many of the comic moments.

There are weak points, of course, it can all be a little slow at times, especially the long first act, and a few too many lines in Leslie Darbon's adaptation. The pace is also not helped by the now rare sight of curtain down during scene changes, some of which went on curiously long. Some of the sound effects were a bit unusual too and not particularly well localised for a professional show, hence when the patio doors were opened, the coo-coo of the pigeons didn't sound like it was coming from the patio doors at all. The key dramatic moment of death also, while relatively well lit and cleverly staged, was let down a touch by a rather limp sounding end.

A Murder is Announced though is standard fair and everything you would expect of Christie. While a few true fans might baulk a little at the remodelling of the original tale, it still should tick many of the boxes to keep them happy. A play not without its faults, but more than entertaining enough for these cold winter nights.

Solid and stylish looking adaptation of the Christie tale.
⭐⭐

Performance reviewed: Wednesday 13th Januar 2020 at the Royal & Derngate (Royal), Northampton.
A Murder is Announced runs at Royal & Derngate until Saturday 18th January 2020 before continuing its tour.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Popular posts from this blog

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of The Spy Who Came in From the Cold at Milton Keynes Theatre

The Spy Who Came in From the Cold is one of John Le CarrĂ©’s more well-known titles in his world of spy fiction, and having been adapted into a highly rated 1965 film with Richard Burton, it is perhaps surprising that it took until 2024 for this stage adaptation to appear, adapted by David Eldridge, and now at Milton Keynes Theatre. In many ways, it feels like a ripe story for a stage play, with locations and theatre folk often liking the cerebral storytelling it offers, so this should be perfect for the stage? The Spy Who Came in From the Cold depicts Alec Leamas, a British intelligence officer, being sent to East Germany as a faux defector to sow disinformation about Hans-Dieter Mundt, a powerful East German intelligence officer. However, as expected in the spy world, all is not as it seems, and with the lurking figure of the supposedly retired spy George Smiley in the background, Leamas finds things moving far from his control. It has to be said that Eldridge’s adaptation struggles...