Skip to main content

Review of A Murder Is Announced at Royal & Derngate (Royal), Northampton

While The Mousetrap continues to capture audiences in London, and the current run, also in London, of Witness for the Prosecution, continues to entertain, it seems the perfect time for a bit of regional Agatha Christie as well. Step forward the Middle Ground Theatre Company and their version of the Miss Marple tale, A Murder is Announced.

Chipping Cleghorn residents are astonished when the announcement of murder appears in the local newspaper. Enter Miss Marple, here for some treatment to her rheumatism, and clutching flowers in an attempt to not look too eager, to help unravel events.

A Murder is Announced is classic Christie, big characters, red herrings, knitting needles and twist, twist and another twist, and drawn out upon a gorgeously detailed set, filled with chair after chair, and I can't help but think director and designer Michael Lunney deliberately got character Julia Simmons to test ever chair (bar the chaise longue) in the first five minutes, just to say, hey look at all these chairs.

As the feature character, Miss Marple, Sarah Thomas happily brings her interpretation to the role, shying away from the many versions we have seen over the years. She still has the curiosity, feistiness, and mischievousness, but this is Thomas' take without a doubt. It's perhaps a shame though that she has, as ever it seems, very much a back seat in her own story, as Inspector Craddock is the much more important character here, whittling out the clues. It is handy therefore that Craddock is brilliantly created by Tom Butcher, a witty, world-weary styling of a role. He spars with Thomas superbly in their few true scenes together, leaving you sad that you don't get a few more opportunities to witness it.

Elsewhere Barbara Wilshere is solid, if at times a little underwhelming, as the lady of the house, Letitia Blacklock. Much better is Karen Drury as the brilliantly dotty Dora Bunner, beautifully created with some nice and consistent mannerisms as well.

Lucy Evans is superb as the plum voiced, sharp talking Julia Simmons, and Will Huntington has great fun as her brother Patrick. Finally from the cast, Lydia Piechowiak effortlessly steals every scene as the maid Mitzi, convinced everyone is out to get her, and master of the one-liners, providing many of the comic moments.

There are weak points, of course, it can all be a little slow at times, especially the long first act, and a few too many lines in Leslie Darbon's adaptation. The pace is also not helped by the now rare sight of curtain down during scene changes, some of which went on curiously long. Some of the sound effects were a bit unusual too and not particularly well localised for a professional show, hence when the patio doors were opened, the coo-coo of the pigeons didn't sound like it was coming from the patio doors at all. The key dramatic moment of death also, while relatively well lit and cleverly staged, was let down a touch by a rather limp sounding end.

A Murder is Announced though is standard fair and everything you would expect of Christie. While a few true fans might baulk a little at the remodelling of the original tale, it still should tick many of the boxes to keep them happy. A play not without its faults, but more than entertaining enough for these cold winter nights.

Solid and stylish looking adaptation of the Christie tale.
⭐⭐

Performance reviewed: Wednesday 13th Januar 2020 at the Royal & Derngate (Royal), Northampton.
A Murder is Announced runs at Royal & Derngate until Saturday 18th January 2020 before continuing its tour.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Popular posts from this blog

Review of Dear England at Milton Keynes Theatre

James Graham’s award-winning play Dear England has been around a while now, and indeed, when it was first staged in 2023, some events depicted here hadn’t even happened. Therefore, the pen, likely keyboard, of Graham has been busy adding what amounts to a further epilogue, and it now amounts to the complete package of Gareth Southgate’s tenure as the poisoned chalice that is England football manager. For those who may have missed it, Dear England tells the story of Southgate’s journey from his inception into the manager role in 2016 to his eventual departure and knighthood in the New Year’s Honours of 2025. However, this play, while centred on the beautiful game, is more than about kicking a ball and managing and coaching it. Writer Graham mines from the source material a piece that very much explores what it is to be English and, with Southgate’s approach to coaching, what makes the brain tick. To that effect, enter psychologist Pippa Grange, and the journey for Southgate to become ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...