Review of Kiss Me Kate at Kilworth House Theatre

A theatre shrouded in trees on the estate of a house with landscaped, picnic and woodland areas is a tremendous boost to anyone putting on a show and Kiss Me Kate from director Matthew White lives up to the wonder of its location.
Kiss Me Kate based on a book by Sam and Bella Spewack with music and lyrics by Cole Porter is itself based upon Shakespeare's work The Taming of the Shrew. A theatre company with principal performers divorcees Lilli Vanessi (Caroline Sheen) and Fred Graham (Matthew McKenna) are putting on Shrew interspersed with their quarrelling behind and on stage. Added to the mix is a romantic side piece featuring Lois Lane (Monique Young) and Bill Calhoun (Justin Thomas) and some nefarious characters after some money.

Caroline Sheen

There is just so much to delight in from this production, right from the first viewing of the impressive and very grand set and an amazingly well choreographed initial number of Another Op'nin', Another Show, you just know that this is going to be a fabulous evening. The entire show is maintained at a flowing pace with set changes fluently becoming part of the show and never breaking the pace, and clever staging using all areas of the theatre space, including aisles and side entrances.

Matthew McKenna

The two leads Caroline Sheen and Matthew McKenna are brilliant together in their sparky dialogue. McKenna, in particular, had quite a brilliant way of enunciating his words making it all perfectly very thespian-like and tremendous fun. There were as this was opening night a few slight line fluffs, all in one scene between them, however, nothing deters the fact that these two are going to be tremendous together during this run.

Monique Young

Also once again rather special is Monique Young, having seen her in the Hairspray tour in 2015 and picking her out as the star of the show then, here as Lois Lane she very nearly steals the show once again. Her Lois is light and joyful and she shares with Gremio (Andrew Gordon-Watkins), Hortensio (Davide Fienauri) and Lucentio (Justin Thomas) perhaps the best number of the show, Tom, Dick or Harry. Thomas in this number and his delightful performance of Bianca in the second act also shows his quite incredible gymnastics ability.

Also highly entertaining and bringing great humour to the show were Cory English as Gangster 1 and Carl Sanderson as Gangster 2. Certainly audience favourites and the classic Brush Up Your Shakespeare was very well performed. There is also a great turn from Tarinn Callender as Paul, putting great vocal and dance skills in Too Darn Hot, in this, his professional debut.

Another interesting aspect of this musical for me was that despite being outside, the sound was the best that I have heard from a musical. Sound designer Chris Whybrow and strong 12 piece orchestra led by musical director Michael England fill the theatre with strong and meaty music, however unlike most shows in indoor theatres the balance is just perfect with the vocalists not disappearing behind the music. There are many a theatre that could learn from this venue, team and setup.

So a brilliantly entertaining evening of a really fun musical, full of great characters and bags of familiar tunes. Some incredible singing and a hugely skilled ensemble make this not only a must see if you can make it, but also a great opportunity to visit this brilliant venue.

★★★★★

Performance reviewed: Wednesday, May 31st, 2017 at the Kilworth House Theatre,

.
Kiss Me Kate runs at the Kilworth House Theatre until Sunday 16th July 2017.
For further details visit http://www.kilworthhousetheatre.co.uk/

Review of The Blue Road by R&D Young Company at Royal & Derngate (Royal), Northampton

I have a 100% strike record with the wonderful Youth Theatre group at Royal & Derngate, they have never let me down with a show and sometimes with those of Sweeney Todd and Kontact, have provided me with some of the very optimum theatre points of each year. The Blue Road, their very latest production for me is slightly less successful.

However, it thankfully and perhaps not surprisingly, is nothing to do with the constantly talented bunch of actors that gather in this group. My problem lies in two places, of play selection and the way it is told. The Blue Road chronicles the story of a group of young people on the backend of a not totally described crisis, and this, unfortunately, is where we were more or less just two years ago with the Young Company and their show Immune. I have always been interested in these post apocalyptic stories and often love them, however for the same group to do two so close together feels a shame. They challenge certainly, but I am sure there are many…

Review of Great Expectations by The Royal & Derngate Actors Company at Royal & Derngate (Royal), Northampton

Market Boy from The Actors Company last year was a remarkable show and is likely to stay with me for a long time, so following it with this year's production was always going to be a tough call and with their production of the epic Dickens classic Great Expectations, they at least didn't lack ambition.

I have to be honest, things for me didn't start well. The first few minutes of this adaptation by Declan Donnellan and Nick Ormerod is a busy and convoluted sequence moving the opening part of the story in an unclear and often irritating way. For those present not aware of the original story, I wouldn't envy them trying to keep up with what is going on. However much of the trouble of this opening sequence is quickly corrected as scenes become more defined and controlled and the story is allowed to develop at a slower pace.

Perhaps also in the early part, it doesn't help either that the gender-swapped Magwitch played by Salli Bersham is a little too full on with the o…

Review of Hansel & Gretel by Warts & All at Delapré Abbey, Northampton

For those unfamiliar with Kneehigh Theatre (from where this show originally comes), the best way of explaining them is that they do traditional things, differently. This performance by Warts and All Theatre of their adaptation of the classic tale of Hansel & Gretel tells you much of what you need to know early on as a (human) rabbit is pinned down upon a table and skinned (half their costume removed). It is just one of an evening of wacky and quite brilliant moments as this production sours mostly for the sky of brilliance.

Handed to a cast of young performers, the result is often disturbingly professional. Sure it is still rough around the edges at times, but perhaps this helps the material. It doesn't actually matter if there is sparring from the cast with the audience, knowing looks and playfulness. It doesn't matter if one of the cast nearly knocks the cymbal of the musicians flying, perhaps it would have been even better if they had, this is anachic fun at its very b…

A Small Mind At The Theatre

Search This Blog