Review of Kiss Me Kate at Kilworth House Theatre

A theatre shrouded in trees on the estate of a house with landscaped, picnic and woodland areas is a tremendous boost to anyone putting on a show and Kiss Me Kate from director Matthew White lives up to the wonder of its location.
Kiss Me Kate based on a book by Sam and Bella Spewack with music and lyrics by Cole Porter is itself based upon Shakespeare's work The Taming of the Shrew. A theatre company with principal performers divorcees Lilli Vanessi (Caroline Sheen) and Fred Graham (Matthew McKenna) are putting on Shrew interspersed with their quarrelling behind and on stage. Added to the mix is a romantic side piece featuring Lois Lane (Monique Young) and Bill Calhoun (Justin Thomas) and some nefarious characters after some money.

Caroline Sheen

There is just so much to delight in from this production, right from the first viewing of the impressive and very grand set and an amazingly well choreographed initial number of Another Op'nin', Another Show, you just know that this is going to be a fabulous evening. The entire show is maintained at a flowing pace with set changes fluently becoming part of the show and never breaking the pace, and clever staging using all areas of the theatre space, including aisles and side entrances.

Matthew McKenna

The two leads Caroline Sheen and Matthew McKenna are brilliant together in their sparky dialogue. McKenna, in particular, had quite a brilliant way of enunciating his words making it all perfectly very thespian-like and tremendous fun. There were as this was opening night a few slight line fluffs, all in one scene between them, however, nothing deters the fact that these two are going to be tremendous together during this run.

Monique Young

Also once again rather special is Monique Young, having seen her in the Hairspray tour in 2015 and picking her out as the star of the show then, here as Lois Lane she very nearly steals the show once again. Her Lois is light and joyful and she shares with Gremio (Andrew Gordon-Watkins), Hortensio (Davide Fienauri) and Lucentio (Justin Thomas) perhaps the best number of the show, Tom, Dick or Harry. Thomas in this number and his delightful performance of Bianca in the second act also shows his quite incredible gymnastics ability.

Also highly entertaining and bringing great humour to the show were Cory English as Gangster 1 and Carl Sanderson as Gangster 2. Certainly audience favourites and the classic Brush Up Your Shakespeare was very well performed. There is also a great turn from Tarinn Callender as Paul, putting great vocal and dance skills in Too Darn Hot, in this, his professional debut.

Another interesting aspect of this musical for me was that despite being outside, the sound was the best that I have heard from a musical. Sound designer Chris Whybrow and strong 12 piece orchestra led by musical director Michael England fill the theatre with strong and meaty music, however unlike most shows in indoor theatres the balance is just perfect with the vocalists not disappearing behind the music. There are many a theatre that could learn from this venue, team and setup.

So a brilliantly entertaining evening of a really fun musical, full of great characters and bags of familiar tunes. Some incredible singing and a hugely skilled ensemble make this not only a must see if you can make it, but also a great opportunity to visit this brilliant venue.

★★★★★

Performance reviewed: Wednesday, May 31st, 2017 at the Kilworth House Theatre,

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Kiss Me Kate runs at the Kilworth House Theatre until Sunday 16th July 2017.
For further details visit http://www.kilworthhousetheatre.co.uk/

Review of Madame Bovary by Masque Theatre at The Playhouse Theatre, Northampton

Rosanna Lowe's version of Gustave Flaubert's Madame Bovary was originally commissioned by Simon Godwin for the Northampton Royal Theatre, so it perhaps seems apt, that it returns to a stage of the same town, in this new wacky interpretation from Masque Theatre.

Masque's publicity for the show, describes it as a "madcap tragedy", and for those more familiar with Flaubert's novel you shall perhaps be a little surprised by the anarchic version created here. This is tragedy played for full-on slapstick effect, and while at times it might seem overwhelming in its intensity, the ride we are taken on is a delight.

Directed by Tamsyn Payne and Alex Rex and a team of talented creatives, Madame Bovary's props and design are every bit as important as the talented cast wielding them. For an amateur production, the attention to detail is nothing short of staggering. Gloriously created books filled with delights, puppet dogs and children, mini nuns, and little baskets…

Review of The Selfish Giant at Royal & Derngate (Royal), Northampton

The Selfish Giant is a curious one. I left uplifted and genuinely happy by the whole affair, yet slightly perturbed as to whether at its heart, it was actually as good as the heart was saying.

Based on a short story by Oscar Wilde, songwriter and musician Guy Chambers has given the piece a musical workover. The Giant (played by Jeff Nicholson) has a wonderful garden which the local children love to play in. However, this is a selfish giant after all, so, annoyed by their presence, he builds a wall to prevent them from entering. The scene is set for this story of personal redemption.

Creating a sung-through musical is a challenge, and Chambers succeeds in The Selfish Giant, although perhaps at the cost of a great deal of variety to the pieces. The weakness of The Selfish Giant always lies at the heart of both lacking numbers you take with you after the show, and indeed variety. The appearance of the giant, in the pacy and deep, real deep, vocals in The Angry Giant is one clear example,…

Review of UoN Fringe: Lawmen by Flux Theatre at The Platform, Northampton

Way back in April 2014, No Way Out was the first production that I saw from local amateur group Masque Theatre, it was a version of Jean-Paul Sartre's Huis Clos (No Exit), and four years later, the University of Northampton group Flux Theatre provide another version, presented in a far more claustrophobic style and modernised considerably.

Seated in a circle, barely more than five metres in diameter, the three actors. Amber Jade Harrison, James Grayson and Ross Bayliss perform an adaptation of Huis Clos, titled Lawmen. This becomes perhaps one of the closest proximity productions that I have ever seen, and likely to, so much so, that often the actors are even seated in adjacent seats. to the audience.

We, the audience, are not there, of course, it may be close contact, but these three characters are in their own world. These three have been thrown into this Sartre inspired world of lies, and deception. Who are the truthful ones, who is the controlling menace? We do not know of co…

A Small Mind At The Theatre

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