Skip to main content

Review of Go Down Swinging - A Rehearsed Reading at Royal & Derngate (Underground), Northampton

I found myself picked out and targeted on Twitter as to whether I would be available and like to see this very first reading of new play Go Down Swinging. Happily, as it turns out it was my free night as this was a truly excellent night, with both an impressive new play and an equally great post-show discussion (almost an hour!). I remained silent as is my tradition at the discussion, I am a writer, not a talker and like to sleep on thoughts as well about shows before putting fingers to keyboard.

Dan McGarry
Go Down Swinging is a loose telling of the true story of Venezuelan world champion boxer Edwin Valero, a man of both successes but one troubled in life outside the ring resulting in it being very short. This play transfers the setting to the UK and Valero has become boxer Karl Johnson (played in this reading by writer Dan McGarry).

Miriam Grace Edwards
This at its heart is a play about domestic violence, although it's neat trick is that throughout it remains very ambiguous in this, leaving the audience (or indeed actors) to interpret the very unclear script. If using the word unclear seems unfair and immediately critical, it is not meant to be. Go Down Swinging is very much a play which allows the viewer to make up their mind as they leave the theatre. That isn't suggesting that it is lazy storytelling making the audience do all the work, more that it invigorates the mind and courts discussion (as the post-show part clearly demonstrated). Having seen a heck of a lot of plays now I was truly impressed by the way it didn't force the issue while stirring thought through the true motives of the characters and highlighting the serious issue all the same.

Gemma Boaden
It is true that there is a terrible area of suggestion upon the characters which was brought up in the discussion, all three of the boxers are suggested to be abusers, and even if in your mind you decide some are not, the seed is planted, so it is a tad stereotypical of the world of boxing that they cannot control their fists beyond the ring. The stats don't prove this, it is just the thought that the pursuit of violence through a career breeds it. So yes, maybe a good man (other than Jimmy) is needed in this play to balance it out.

The format of this play is one of remarkable timeshifting and while some present clearly had an issue with keeping pace with it, I found it truly stirring as a piece because of this. As another said, to make it an A to B drama would have felt very stagnant and boring. For me, the switches are solid and clear and yes, the switch at death made sense to me as well. However having said that, I think despite the writer deciding on not doing costume switches for time shifts, perhaps something like lighting could be an effective solution?

Victoria Corlass
While this wasn't about performance and more the judgement of a new play, I have to also say that even as just a rehearsed reading (the cast meeting from just 11am on the day), it was also very well performed and presented. Opening with a great little scene featuring local boxers setting the story which came slightly unexpected having seen some readings before (just sitting on stalls script in hand). It was clear that more effort than most had been made to present this in a professional if still a slightly embryonic form.

Taresh Solanki
The actors obviously are the big part of creating these brand new characters and offer their own insights into the motives and relationships they have. These much like some of the storytelling are also intriguingly ambiguous, with hints of the relationships that may or may not be truly happening.

So at this very first glance of Go Down Swinging, the prospects are extremely good. You could perhaps go a long way to find a play that has so many open ends of emotion and storytelling, offering a kind of make you own adventure path, where the story forms quite a bit within your head rather than on the stage in front of you. For some perhaps this might be a turn-off, as the time-shifting elements might be also. However, for myself it is refreshing not to have everything handed to you on a plate during a play, life is not always simple and in real life what one person says to you they might not mean and for me Go Down Swinging offers that kind of situation in play form. A truly promising piece which I hope to be able to follow into the future.

Performance reviewed: Friday, June 23rd, 2017 at the Royal & Derngate (Underground), Northampton.
Go Down Swinging is a Standing 8 Theatre Company production written and directed by Dan McGarry and is currently under development. Further details on Facebook at https://www.facebook.com/standing8theatre/ 

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Photos: Jason Mitchell, London Headshots, M.A.D. Photography and Andrew Chapman



Comments

Popular posts from this blog

Review of Madame Bovary by Masque Theatre at The Playhouse Theatre, Northampton

Rosanna Lowe's version of Gustave Flaubert's Madame Bovary was originally commissioned by Simon Godwin for the Northampton Royal Theatre, so it perhaps seems apt, that it returns to a stage of the same town, in this new wacky interpretation from Masque Theatre.

Masque's publicity for the show, describes it as a "madcap tragedy", and for those more familiar with Flaubert's novel you shall perhaps be a little surprised by the anarchic version created here. This is tragedy played for full-on slapstick effect, and while at times it might seem overwhelming in its intensity, the ride we are taken on is a delight.

Directed by Tamsyn Payne and Alex Rex and a team of talented creatives, Madame Bovary's props and design are every bit as important as the talented cast wielding them. For an amateur production, the attention to detail is nothing short of staggering. Gloriously created books filled with delights, puppet dogs and children, mini nuns, and little baskets…

Review of The Selfish Giant at Royal & Derngate (Royal), Northampton

The Selfish Giant is a curious one. I left uplifted and genuinely happy by the whole affair, yet slightly perturbed as to whether at its heart, it was actually as good as the heart was saying.

Based on a short story by Oscar Wilde, songwriter and musician Guy Chambers has given the piece a musical workover. The Giant (played by Jeff Nicholson) has a wonderful garden which the local children love to play in. However, this is a selfish giant after all, so, annoyed by their presence, he builds a wall to prevent them from entering. The scene is set for this story of personal redemption.

Creating a sung-through musical is a challenge, and Chambers succeeds in The Selfish Giant, although perhaps at the cost of a great deal of variety to the pieces. The weakness of The Selfish Giant always lies at the heart of both lacking numbers you take with you after the show, and indeed variety. The appearance of the giant, in the pacy and deep, real deep, vocals in The Angry Giant is one clear example,…

Review of UoN Fringe: PROJECT 25 by Unorthodox Theatre Collaborations at The Platform, Northampton

This production from Unorthodox Theatre Collaborations is a curious one to review, as I didn't see all of it. PROJECT 25 you see is an immersive, interactive play, where we the audience become very much part of the emerging story.

We are introduced, after being name-checked and tagged, to The Platform, a pharmaceutical company that has come up with the perfect drug that could save the health care system. Or so they say.

The play launches with a smart little-choreographed routine from the cast (and some extra actors), which culminates in company staff member Amy Brown (Jemma Bentley) being sacked and expelled from the building. As Bentley is a cast member, we, of course, know that her return will happen, but in what form?

After this neat and impactful opening, we are led into another room and presented with a glossy and technically impressive launch from the company team Pandora Pearson (Bobbie-Lee Scott) and James Van Laren (Daniel Peace). Following this, we are subjected to a sc…