Skip to main content

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level.

As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teacup style. The release of the gas (stimulating on the nose in the auditorium) and the eventual depiction of the mass of bodies is vividly told through the young actors reactions. We can see the horror through their eyes, even if nothing is ever seen on stage.

While the large cast of actors are all great in their individual roles, I can't help but pick a few for a mixture of both performance and great developed characters by the writer. Owen Howard is wonderful as the desperate Craig who feels the weight of thinking he will be remembered for destroying the world. Also Ethan Kelly is quietly superb as the god fearing Peter, portraying his fears that he personally has brought this upon everyone with excellent emotion. Finally Esme Joy Allen, who had happily ate dirt in a previous performance of DNA I had seen last year, was simply wonderful as the flirty, hair flipping Bella and I felt quite a pang of fear midway though the play for what befell her character.

There are a number of magic little scenes not least the class group performances providing some "cool" dancing, singing and a gloriously desperate Angie (Emily Winnett) needing to show her video, "I've done mine". The slow motion fight at the top of the cube between George and Eric is also wonderful little gem, excellently performed by Jake Carter and Jarzinho Rapoz. Also the final scene of the strike is also spectacularly well staged, totally lighting up the Royal as the end arrives, and with that poignant final scene. Getting that perfect finish to a play can be challenging at times, but Immune has no problems with it.

Agboluaje has created through working with the three youth theatre groups a clever, thoughtful piece of work brimming with neat ideas. Those like the individual characters speaking out their thoughts is superbly ingenious, as is the ensemble speaking in unison the words of the unseen adults.

It all combined creates a clever full hour of entertainment. which is without doubt the most complex R&D youth company play I have seen to date, I am sure that it will go a long way to provide the skills so early for any of the performers who seek to make this their career. This straight after the triumphantly clever Kontakt has provided a couple of weeks of magic for the youth theatre at Royal & Derngate. Under the expert guidance there at the moment, they just might be creating a few little stars of the future.


Performance reviewed: Thursday 3rd July, 2015 at the Royal & Derngate (Royal), Northampton.

Immune is performed by the R&D Youth Theatre at the Royal & Derngate between Thursday 3rd July and Saturday 4th July, 2015, before being performed by Courtyard Theatre, West Yorkshire from 23rd July, 2015 and Theatre Royal Plymouth from Wednesday 19th August, 2015.

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/


Popular posts from this blog

Review of Death on the Nile at Royal & Derngate (Derngate), Northampton

Agatha Christie is a name synonymous with crime fiction, perhaps the most famous, and her 1937 novel Death on the Nile is among her most notable. Adapted often for the screen and previously also as a stage play back in the forties, here Ken Ludwig brings a new adaptation to the stage, first performed in 2024 and arriving now at Royal & Derngate as part of an extensive UK tour. For this production from Fiery Angel, we return very much to the team that brought Ludwig's Murder on the Orient Express recently to the stage, including director Lucy Bailey. That was a solid adaptation, so, as we cruise the Nile, is it more of the same standard? Heiress Linnet Ridgeway and her new husband, Simon, are on honeymoon aboard a luxurious boat cruising the Nile, their journey shadowed by a priceless Egyptian sarcophagus. Tension simmers among the eclectic mix of guests, including Simon's vengeful ex-fiancée, a watchful MI5 agent, the British Museum's enigmatic Egyptology curator, and P...

Review of Mary Poppins at Milton Keynes Theatre

The 1964 Disney film Mary Poppins is one of the most fondly remembered family films and has been a staple of many children's childhoods ever since its release. Adapted from P. L. Travers's book series featuring the famous nanny, it took until 2004 for the show to reach the stage, with this musical adaptation featuring a book by Julian Fellowes. The stage musical used the familiar songs from the film by Richard M. Sherman and Robert B. Sherman and added new ones by George Stiles and Anthony Drewe, all under the watchful eye of co-creator Cameron Mackintosh. It is safe to say that many people were involved in bringing this show to the stage. The story, of course, tells of the family Banks—father George, mother Winifred, and the tricky-to-handle children Michael and Jane. Following a job advertisement thrown into the fireplace, a nanny named Mary Poppins arrives at their home, and the Banks' family experiences a very different world than they have ever before. Touring to sele...

Review of Jesus Christ Superstar (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

The now-legendary Jesus Christ Superstar , written by Andrew Lloyd Webber and Tim Rice, initially struggled to find backing in 1970, so its first airing was as a concept album rather than the now mainly recognised stage show. Now, 55 years later, the legendary Northampton Musical Theatre Company, at least in Northampton, brings the show to the Royal & Derngate once again, after last performing it in 2010. The story, I suspect, needs little introduction, so I leave you to ensure you know the story before heading to the theatre to see the show. And what a show it is: this is the N.M.T.C., almost at the top of their game, assembling the cream of their group and a vast cast supporting the main players. As lead, newcomer Linden Iliffe takes on the weighty role of Jesus of Nazareth, and he is terrific in the challenging part, depicting the innocent power imbued in him and his desperation and disappointment as his life unravels amid bitter betrayal and disownment. He has a powerful voice,...