A Small Mind At The Theatre

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...

For adults, and for adults without the requisite child of a certain age in the family, the world of Percy Jackson may have passed you by. However, since the first book was published back in 2005, the Jackson tales have become a phenomenon with the correct age bracket. There are now several books, films, a TV series, and, of course, this musical. The Lightning Thief , which is landing on its 2025/26 UK tour at Milton Keynes Theatre this week. This musical is based on the first book and tells the story of Percy, a teenager who discovers he is more than just an average kid and learns that his missing father is Poseidon, the god of the sea. So, when Percy is packed off to a camp for demigods, an adventure is not far behind to find Zeus’s stolen lightning bolt. And the scene is set for a musical of mystical and magical adventures. The Lightning Thief is an intense and action-packed piece of theatre filled with many young and talented stage stars. The leader is Vasco Emauz, the eponymous her...

Willy Russell's Blood Brothers is a remarkable show that, to any respectable theatre-goer, needs little introduction; however, a little introduction is still in order. First produced in 1983 in Liverpool, Russell had adapted the musical from a high school play he had written, introducing his own music and lyrics into the tale of the twins Mickey and Eddie, and their mother, Mrs Johnstone. From its very first run on stage at the Liverpool Playhouse, the sign was there that Blood Brothers was a very special show, and as a result, it now tours almost constantly in the UK, packing audiences wherever it goes. So, what can be said now that hasn't already been said? Very little, really; however, I must try. This latest production, opening a new tour at Milton Keynes Theatre, continues the format of old and brings the story still vibrantly to life. Also, this new tour still includes someone who is now as much a part of the show as Russell himself. Sean Jones has now played Mickey, th...

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...

Should you never have seen Calamity Jane before, as I hadn't before catching it on its UK tour's arrival at Milton Keynes Theatre this week, you may still very well know a little about it by its name alone. However, barring a couple of well-known tunes, I knew far less than I thought, and it was an excellent experience of discovery. The story of Calamity Jane recounts the town of Deadwood and, specifically, the tomboy Calamity Jane, full of tales and daring deeds that may or, more likely, did not happen. When the local theatre owner fails to bring the American star promised to the stage, Calam sets it upon herself to get the biggest star of the country to grace that darn stage. Calamity Jane is, at its core, just a jolly old-fashioned musical, filled to the brim with disturbingly simple but very catchy numbers from Sammy Fain and lyrics from Paul Francis Webster. Some you will no doubt recognise, such as Deadwood Stage , Just Blew in from the Windy City , and Secret Love . ...

C.S. Lewis' novel, The Lion, the Witch and the Wardrobe , was first published in 1950. While it formed part of a seven-novel series, it has remained the best known and most easily adaptable of the series, having seen many versions over the years on film, TV, and indeed the stage, as this adaptation, first brought to life in 2017, proves. Now arriving at Milton Keynes Theatre as part of an extensive new tour, following two London runs and a previous UK and Ireland tour, it continues to be a massive success with audiences. Based on the original production by Sally Cookson, the show opens with a suitably rousing, full-company performance of  "We'll Meet Again ," evoking the period of the tale as the Pevensie children are whisked by train in wartime evacuation to the home of the Professor, a kindly  yet curious soul. Here they discover a wardrobe to a magical world populated by a world of curious animals and ruled over by the White Witch. The production by Michael Fentima...