William Hone was, conveniently, the Ian Hislop of 1817, a satirist charged with libel (and a little added blasphemy), and charged and subjected to three trials in three days. His story told here in a witty, but occasionally slightly heavy way is the cornerstone for a lot of the now free press we see in this country. Not that this has stopped Mr Hislop himself from finding himself in the dock countless times of course.
Trial By Laughter is a curious piece which has more successful moments than failures. It does take a while to get going, despite an opening scene featuring the brilliant Jeremy Lloyd as Prince Regent, a living and breathing caricature on stage himself, portly and looking every bit the drawn work of cartoonist Cruikshank. He and Helena Antoniou as Lady Hertford provide the buoyant and larger than life humour of the play, the physical material, while the rest, is more delivered through speech. They are the perfect antithesis in comedy style presented here.
Elsewhere there is a brilliant mix of turns from Dan Mersh, who as both Hone's drinking buddy Hazlitt, and the judge, Ellenborough, seeking to send him down, has some of the quickest switches of character, in a play that thrives on doubling or more up, with little time in between other than to grab a different coat.
Dora Schweitzer set provides a slightly cartoonish depiction of a royal court and courtroom backdrop that easily switches between venues, with more than a little help from Matt Leventhall's lighting, especially with the neat prison scenes. The star of the set though is an animated clock, which has a character all of its own, creating time passing and spinning back when the story brings a flashback to the fore. It's a brilliant concept and enhances the show greatly.
There is indeed a lot of great theatre set pieces here including swift set changes and a couple that very much form part of the story, and also adding clever comedy as a scene, for instance, is bridged by a thieving servant.
A very nice surprise from the show also is the inclusion of a few songs into proceedings and neat dance numbers, all very period in style, nicely performed and they work to break up the occasional worthy dialogue.
Director Caroline Leslie keeps the piece flowing with an eye to a good pace, which the set allows superbly, and while Hislop and Newman's script occasionally heads in the direction of being too clever for its own good, it always has a proper laugh or vulgar joke on the way to stop it becoming tiresome in its worthiness. Certainly an entertaining piece of theatre, telling a pivotal piece of British legal history.
Well staged and light enough to always entertain despite telling its tale in quite a stale way sometimes.
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Performance reviewed: Monday 25th February 2019 at Milton Keynes Theatre, Milton Keynes.
Trial by Laughter runs at Milton Keynes Theatre until Saturday 2nd March 2019 before continuing its tour. Details at https://britishtheatre.com/trial-by-laughter-tour/
Further details about Milton Keynes Theatre can be found at http://www.atgtickets.com/venues/milton-keynes-theatre/
Photos: Philip Tull