Skip to main content

Review of National Theatre Connections - Day One at Royal & Derngate, Northampton

I really enjoyed the Connections shows at Royal & Derngate during 2014 therefore it had been one of my most anticipated weeks for 2015. Even better than 2014 also was the fact that I was going to have the opportunity to see nine of the ten plays included (poor old Follow, Follow, the unwanted child). On my first day I was to see the first three of them and they were a glorious mix of the good, the bad and the hilarious (performed in that order).

*

The good was "Hospital Food" written by Eugene O'Hare and performed by Northampton High School. This was a powerful tale of a group of youngsters in a cancer unit and their Fight Club inspired "Retreat". This place allowed them to speak freely and was in the tradition a place where whats said in the Retreat stays in the Retreat. It was their place away from parents, doctors, nurses and, well all adults really. The main story revolved around the planned escape of Gus (Fiona Percival) from the hospital to go seek alternative medicine with her mother.

The material was tough and gritty and superbly performed by the all female cast in both female and male roles. Percival as Gus and Jasmine Smellie as her best friend Josh was stunning, with the hospital corridor scene the highlight of the play. The only disappointment from this scene came from the very distracting flickering lights. It was difficult at first to work out what this was representing, but I think I got it at the end with the increase at the breakdown at the end. However the main problem came from the fact these were operated from within the intimate Underground space, leaving the sound of the flicking switch ringing in the audiences ears.

However this was just a small disappointment, as "Hospital Food" was a quality tough play for youngsters to perform and the High School cast were not a disappointment. A great start to the week.

*

A bit of a backward step came with the bad (maybe a word too severe) of "The Edelweiss Pirates". A worthy tale telling the story of an actual youth movement group and events it was involved with during the 1930s. I would hazard a guess that this particular play was selected due to its timing as much as its quality with many Second World War anniversaries going on at present. Written by Ayub Khan Din and performed by Stopsley High School, it was a perfectly serviceable play, just a little bit dull and stale. There were also more than a few issues with the production and performances which didn't help matters.

I was more than happy to see it, however I am afraid that it isn't a play I would seek out again as I feel the play is more at fault than the performances in this case. A matter of the right play at the right time, but bluntly nothing more.

*

Having had a bit of a dip, it was down to the delightfully titled "The Crazy Sexy Cool Girls' Fan Club" to complete the day on a high. This it most certainly did, as this was by far the best and more importantly, most fun play of the three (let's have more fun plays!). Written by Sarah Solemani (more familiar perhaps to many for her comedy performances in Him & Her and The Wrong Mans) it was at times a rather surreal tale of a group of four and a would be fifth member of a girls club. Seemingly only gathered together to occasionally be bitchy to each other, sing in a screechy manner and swoon over a highly generic boy band.

This was a brilliant comic play with added sinister moments and performed by a wonderfully enthusiastic cast from Bloxham School. I would name them all, or at least a few if only I had a cast list for the production. However in the absence of such a list, I must mention whomever the young lady who played Lou was and the young man who played Shaz, you were just great. However having said that, you were all great as this was very much a team performance. An excellent way to complete day one of my 2015 R&D Connections week.


Performances reviewed: Tuesday 29th April, 2015 at the Royal & Derngate (Royal), Northampton.

The National Theatre Connections continue at Royal & Derngate until Sunday 3rd May, 2015. For details go here: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/Connections15

For further details about the National Theatre Connections visit their website at: http://connections.nationaltheatre.org.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of It's A Wonderful Life by Masque Theatre at the Holy Sepulchre, Northampton

Remarkably I only saw the classic film It's A Wonderful Life last Christmas, this was thanks to spotting it lurking on my subscription of Netflix. A glorious heartwarming film perfect for Christmas? That must be why I was a blubbering mess at the end of it then. There was hope that in public, The Masque Theatre's performance of the radio version of the story didn't leave me in the same situation. As it happened it did a little as that final scene in the Bailey household played out again, but it didn't matter as there were members of the cast in the same broken state as many of us audience members. Left to right: Jo Molyneux, John Myhill, Lisa Wright, Michael Street, Lisa Shepherd and Jof Davies This was the first radio play that I had seen performed and on the evidence of this, I sure would like to see some more. While not having the drama of standard plays in their creation of moment and places, they do have a rather striking drive towards character creation. The ...

Review of UoN Fringe 2019: Working For The Man by Naked Truth Theatre at The Platform Club, Northampton

When looking at the prospect of the Fringe performance Working For The Man , it is slightly difficult to work out who is the bravest person involved in this remarkable one performer, one audience member show set totally within or around the edges of a car. I guess I would in my case, say myself, but it takes some daring for performer Ellie Lomas of Naked Truth Theatre to also create a piece that offers the boldness that it does. Working for the Man is perhaps unsurprisingly about the sex trade, and explores exploitation and how, or if, prostitution is taken as a serious profession. It involves no live audio dialogue from performer Ellie Lomas, instead, she inhabits a purely physical performance, that is progressed by the use of a pair of headphones which you are given at the start. Across this audio are instructions of what to do. "Get in the car", "sit in the middle seat in the back", "open the glove compartment" etc, as you move to different areas ...