Skip to main content

Encouraging The Crowd: Putting Them Bottoms On Seats (UPDATED)

Update: While the below is still all correct fact, I have just had a telephone conversation with the Flash marketing team and learnt that there are a few reasons for the increased prices this year which are out of their control. It is sad that the increased levels are quite so much, but as I originally said costs are there to be covered, so it looks like the prices are there to stay.

What I will make clear however is that none of the below should appear negative towards the event. Flash 2014 was wonderful, and I am certain having previously seen those that are to perform, 2015 will be more the same. My only gripe is with the price hike. If your wallet can stand it, there is nothing more that I would recommend higher. These may be student shows, but don't be snooty about it, these are up there with many a professional performance you will see, and you might just be at a performance of a superstar of the future. Open your wallet wide and go.


Two of the highlights last year for me in my new world of theatre going were the weeks of the National Theatre Connections and the University Of Northampton's Flash Festival. During these weeks there were multiple performances: twelve in Connections (some play repeats, but different performers) and fourteen different shows in Flash. If you attended all of them (I didn't quite make it, but was close), they would have set you back £123 for the privilege.

This year the price goal posts have changed quite a bit. There are again fourteen Flash shows, while the National Theatre Connections at Royal & Derngate have been increased to fourteen. Connections have increased in price just by a single pound coin to £6 a show, which in theory is nothing to worry about. Unless you might want to support all the shows that is. Flash however has undergone the most radical and painful to the pocket change. There was a crowd encouraging Festival Ticket in 2014 which allowed you five shows for £21. This lovely and friendly ticket dropped the individual prices from £8.00 a show to a gorgeous £4.20. This year the festival ticket has gone and been replaced by a rather cumbersome and generally pointless "General Public Route" ticket for Saturday (an option on Wednesday as well, I believe), £15 for three shows. While this will be great for what are described as "general theatre-goers of Northampton", it is inflexible and offers nothing for those that may be able to attend at other times. So without that option and the festival ticket gone, it is bang £8.00 a show, thank you very much.

Now, don't get me wrong. £6.00 and £8.00 for an hours entertainment it perfectly fine. However these are feature weeks and positively glow with the idea that you might attend all the shows. Therefore the money ratchets up a great deal. As I said above, last year the two full weeks would have cost you £123, this year however to fully support all of the shows and performers of these two weeks, you are looking at £196.

That quite frankly is too much, and is I am afraid very disappointing. During Flash last year, I sat in pretty empty venues on many occasions (other than students that were performing in other shows) and Connections was quite often similar. This year there might be another empty seat for a few shows as well. Costs have to be covered certainly, but increasing prices it not going to solve it. The only thing that will help the situation are bums on seats, and offering no incentives at all will sure not put them there.

Popular posts from this blog

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of a A Taste of Honey at Stantonbury Theatre, Milton Keynes

Written by Shelagh Delaney in 1958 at just nineteen, A Taste of Honey was a ground-breaking depiction of modern society, falling very much into the "kitchen-sink" genre, fast developing with writers within the world of British theatre during the fifties. Dealing with a multitude of themes including class, race, age of sexual consent, gender, sexual orientation and illegitimacy, it has rightfully become a legend of theatre. However, almost seventy years later, does this play still resonate with audiences and have a place in modern theatres? The play, set in 1950s Salford, tells of teenager Jo and her mother Helen moving from one rough lodge to another as either rent becomes due or Helen needs to escape another failing relationship. With Jo approaching school leaving age, Helen sees the time is right to abandon her to the world and move on with her own life. When watching A Taste of Honey , you can imagine the controversy surrounding its original release. The content is provoc...