Skip to main content

Encouraging The Crowd: Putting Them Bottoms On Seats (UPDATED)

Update: While the below is still all correct fact, I have just had a telephone conversation with the Flash marketing team and learnt that there are a few reasons for the increased prices this year which are out of their control. It is sad that the increased levels are quite so much, but as I originally said costs are there to be covered, so it looks like the prices are there to stay.

What I will make clear however is that none of the below should appear negative towards the event. Flash 2014 was wonderful, and I am certain having previously seen those that are to perform, 2015 will be more the same. My only gripe is with the price hike. If your wallet can stand it, there is nothing more that I would recommend higher. These may be student shows, but don't be snooty about it, these are up there with many a professional performance you will see, and you might just be at a performance of a superstar of the future. Open your wallet wide and go.


Two of the highlights last year for me in my new world of theatre going were the weeks of the National Theatre Connections and the University Of Northampton's Flash Festival. During these weeks there were multiple performances: twelve in Connections (some play repeats, but different performers) and fourteen different shows in Flash. If you attended all of them (I didn't quite make it, but was close), they would have set you back £123 for the privilege.

This year the price goal posts have changed quite a bit. There are again fourteen Flash shows, while the National Theatre Connections at Royal & Derngate have been increased to fourteen. Connections have increased in price just by a single pound coin to £6 a show, which in theory is nothing to worry about. Unless you might want to support all the shows that is. Flash however has undergone the most radical and painful to the pocket change. There was a crowd encouraging Festival Ticket in 2014 which allowed you five shows for £21. This lovely and friendly ticket dropped the individual prices from £8.00 a show to a gorgeous £4.20. This year the festival ticket has gone and been replaced by a rather cumbersome and generally pointless "General Public Route" ticket for Saturday (an option on Wednesday as well, I believe), £15 for three shows. While this will be great for what are described as "general theatre-goers of Northampton", it is inflexible and offers nothing for those that may be able to attend at other times. So without that option and the festival ticket gone, it is bang £8.00 a show, thank you very much.

Now, don't get me wrong. £6.00 and £8.00 for an hours entertainment it perfectly fine. However these are feature weeks and positively glow with the idea that you might attend all the shows. Therefore the money ratchets up a great deal. As I said above, last year the two full weeks would have cost you £123, this year however to fully support all of the shows and performers of these two weeks, you are looking at £196.

That quite frankly is too much, and is I am afraid very disappointing. During Flash last year, I sat in pretty empty venues on many occasions (other than students that were performing in other shows) and Connections was quite often similar. This year there might be another empty seat for a few shows as well. Costs have to be covered certainly, but increasing prices it not going to solve it. The only thing that will help the situation are bums on seats, and offering no incentives at all will sure not put them there.

Popular posts from this blog

Review of Of Mice And Men at Royal & Derngate (Royal), Northampton

Other than, randomly, Charlie and the Chocolate Factory and The War of the Worlds , John Steinbeck's classic Of Mice and Men is perhaps one of the most familiar of stories to me. I have seen it several times before, and while at school, we studied it, and dissected it like the work of Mr Shakespeare, but with Steinbeck, I got out the other side still liking it. This brand new version from Selladoor Productions, which opened in Canterbury last week, brings a by-the-book presentation of the trials of George and his slow, but incredibly strong friend, Lennie, to the stage. Perhaps, this is its first issue blocking a huge success from this production, in that it rarely does anything brave or different. It's clearly been expertly cast visually, with the hulking form of Matthew Wynn as Lennie, and the diminutive (in comparison) Richard Keightley and Kamran Darabi-Ford as George and Curley respectively. Darabi-Ford especially perfect in his tremendously awkward scenes wit...

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...

Review of That Face by Polly Stenham performed by The Masque Theatre at the Playhouse Theatre, Northampton

As millions were sitting down to watch the misery of EastEnders and its big reveal of Lucy's killer, A Small Mind ventured out to the theatre for some light relief. Yeah right! That Face by Polly Stenham is generally as far from light relief as you could imagine, like the aforementioned soap being unshackled by its pre-watershed needs, this was gritty family drama in the extreme. Long before the play begins those who had made their way to their seats early get the chance to see curtain up and a girl sitting bound and masked in a chair. Moments of 50 Shades fears aside, its clear that we are seeing one of the unluckiest actresses you could imagine. Destined to be in two scenes with no lines, the first of which involves her being mauled about no end, its a thankless role, which todays actress of pain Julie Hicks plays very well. Suffering for her art indeed. Doing the mauling are boarding school "buddies" Mia (Amber Mae) and mad as a box of frogs Izzy (Clare Balbi). Mia...