Review of Flash Festival 2019: The Way by Cosmos Theatre Company at Looking Glass Theatre, Northampton

Solo pieces at Flash have quite a checkered history, one of the very best Flash shows I have seen was a solo one, however, many of the worst also were. They have the balance of either a performer getting everything right, for both the audience and themselves or as sometimes happens, a single person running wild with limited reasoning and it ending in a crash. The Way from Louise Akroyd and her Cosmos Theatre Company gets, fortunately, everything pretty much right.

We meet her character Vicky strewn across her bed, after a very heavy night. Her makeup still on, mostly in the right place. After a distraught and comical search for her phone, she discovers news from her mother that her childhood friend has cancer. A rift has been between them for years, but is now the time right to seal it?

The Way is simple in every way, but that is how it works so well. This is about whether you deal with something that probably wasn't anything in the first place to rebuild bridges before it is too late. It's a gently emotional tale, performed with an incredibly soulful performance by Akroyd. There is no glamour in her initial appearance, and her total belief in the material makes us believe every moment.

I was unsure to the very end whether Vicky was just talking to herself or addressing us directly, but, it mattered not. This story was something we could all understand, we all have someone, or maybe more, who we have drifted away from, most likely for very petty reasons, so The Way is something that works on all levels, and it is just a gloriously little piece of theatre as a result.

Performance viewed: Thursday 4th April 2019

The Flash Festival 2019 ran until Sunday 7th April 2019 at venues across the town.
Details here: Flash Festival 2019

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Bat Out Of Hell - The Musical at Milton Keynes Theatre

Bat Out of Hell - The Musical was first realised as a stage musical back in 2017, opening at the Manchester Opera House. Since then, it has achieved significant international success. Now, as part of a new UK tour, it has returned to Milton Keynes Theatre, which it previously visited in 2022 during its global tour. The storyline of Bat Out of Hell , written by Jim Steinman, draws on the story of Peter Pan as a basis and evolves it within a dystopian world, where a group of teenagers known as The Lost live forever at the age of 18. This plot is both flimsy and initially confusing; however, within the music of Meat Loaf and Jim Steinman, it finds a rough-around-the-edges polish that allows this weakness to shine through and succeed. At the centre of this group of teenagers is Strat, who, following an unexpected encounter, falls under the spell of Raven. Within this, a megalomaniac lurks, as all dystopian worlds require. This maniac is Falco, the father of Raven and Sloane's husband....

Review of The Killing Of Sister George at The Playhouse Theatre, Northampton

The Playhouse Theatre's The Killing Of Sister George offers to me the most unique review challenge yet as I have followed the creation process unlike any other, having had the privilege to watch a number of rehearsals. Seeing it from relatively early days of book in hand, to book down and to the penultimate dress rehearsal, I have seen it at at some very dramatic times. No one will disagree either that the final time I saw it, just one rehearsal away from going live in front of a paying audience, there was much still to refine. This review is of the fourth night and I will disregard as best as possible what I saw during rehearsals (with one very important exception). Written in 1964 by Frank Marcus, Sister George was an exceptionally controversial play at its time with its suggestions that its lead characters are in a lesbian relationship, still illegal at the time. The play itself is subtle in its telling, however the 1968 film is much more explicit, capitalising no doubt from t...

A Small Mind At The Theatre

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