Review of Flash Festival 2019: The Nubian Sky at Looking Glass Theatre, Northampton

The Nubian Sky starring Shemelia Lewis was one of only two solo performances at this year's Flash Festival, and this exploration of what it is like to be a black woman now generally was a success, but in need of just a little more tightening up, and indeed exploration.

There are some strong moments here, from a youngster watching a quite remarkable cartoon from 1941 (Scrub Me Mama With A Boogie Beat), onto a schoolgirl in trouble for her hairstyle being distracting, and then the most bizarre TV show centring around whether a domestically abused housewife should get justice or not, we of course say yes, the show says no. It's a surreal and quite stunning collection of observations which are tough viewing of course.

Unfortunately, The Nubian Sky doesn't really take anything anywhere, there is, no exploration, it's just generally a basic collection of anecdotes of shocking occurrences, with no depth given.

Despite this, and most vitally though, Lewis is an excellent performer, making all the characters breathe differently. We quickly know who we should find endearing, and who we should be repulsed by, often just by initial and very clever body language.

It can at times get a little picky and bogged down with costume changes, all in view, which often spoils the flow of the piece, and because of the strength of Lewis' performance, are not really needed.

The Nubian Sky though is an interesting show, mostly because of its performer and her obvious dedication to the theme, it just needed a little more substance to actually become a great show.

Performance viewed: Friday 5th April 2019

The Flash Festival 2019 ran until Sunday 7th April 2019 at venues across the town.
Details here: Flash Festival 2019

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Bat Out Of Hell - The Musical at Milton Keynes Theatre

Bat Out of Hell - The Musical was first realised as a stage musical back in 2017, opening at the Manchester Opera House. Since then, it has achieved significant international success. Now, as part of a new UK tour, it has returned to Milton Keynes Theatre, which it previously visited in 2022 during its global tour. The storyline of Bat Out of Hell , written by Jim Steinman, draws on the story of Peter Pan as a basis and evolves it within a dystopian world, where a group of teenagers known as The Lost live forever at the age of 18. This plot is both flimsy and initially confusing; however, within the music of Meat Loaf and Jim Steinman, it finds a rough-around-the-edges polish that allows this weakness to shine through and succeed. At the centre of this group of teenagers is Strat, who, following an unexpected encounter, falls under the spell of Raven. Within this, a megalomaniac lurks, as all dystopian worlds require. This maniac is Falco, the father of Raven and Sloane's husband....

Review of The Killing Of Sister George at The Playhouse Theatre, Northampton

The Playhouse Theatre's The Killing Of Sister George offers to me the most unique review challenge yet as I have followed the creation process unlike any other, having had the privilege to watch a number of rehearsals. Seeing it from relatively early days of book in hand, to book down and to the penultimate dress rehearsal, I have seen it at at some very dramatic times. No one will disagree either that the final time I saw it, just one rehearsal away from going live in front of a paying audience, there was much still to refine. This review is of the fourth night and I will disregard as best as possible what I saw during rehearsals (with one very important exception). Written in 1964 by Frank Marcus, Sister George was an exceptionally controversial play at its time with its suggestions that its lead characters are in a lesbian relationship, still illegal at the time. The play itself is subtle in its telling, however the 1968 film is much more explicit, capitalising no doubt from t...

A Small Mind At The Theatre

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