Skip to main content

Review of 42nd Street at Milton Keynes Theatre

42nd Street as a stage musical was a long time in the making. Based on the Bradford Ropes novel first published in 1932 and created into a 1933 Hollywood movie, the musical for the stage did not appear until 1980. It was a bold move to create such a spectacle in the eighties based on a bygone era. However, with a budget of $3, producer David Merrick made the bold move a success, running for nine years before closing after 3,486 performances. So, another 43 years after that stage premiere, does the musical 42nd Street still provide a toe-tapping spectacle?

The resounding answer is yes. Telling the story of a director and his drive to get his new show Pretty Lady on stage, the production of 42nd Street is a spectacle rarely seen of this magnitude on tour. It oozes quality and a large cast, admittedly cut back from a London or New York residence, but still, a bold enterprise for on the road. The cast has a collection of familiar faces and lesser-known stage stalwarts and no one is baggage or placed here only as a star name to bring the punters in.

Starring as Dorothy Brock, a stage superstar whose star is slowly fading in favour of the "young and beautiful dames" is Samantha Womack and she is a fabulous presence on stage and is perfect at the cutting line. Many of those putdowns are aimed at rising star Peggy Sawyer, played by a relative newcomer to the stage, Nicole-Lily Baisden, who on the evidence here is heading for immense stardom herself. A multiple threat of singing, dancing, and acting, she is one to watch.

The absolutely brilliant Sam Lips returns to the Milton Keynes stage following his recent brilliant role in Singin' in the Rain. Here he presents all the same charm as swarve company actor Billy Lawlor. The best singer in the show? Yes, very likely. Also returning after Singin' in the Rain is the more familiar face of Faye Tozer, and here she is once again a quirky gem as Maggie Jones, and given much more to do in 42nd Street, she doesn't disappoint. Forget any thoughts of Steps, this is where Tozer shows the talent she truly has. Finally, but by no means least, of mention from the cast Michael Praed as the show within show director Julian Marsh. He portrays the driven man with control handling the potential horridness of the character with a light touch to allow you to love him by the end despite how he treats people at times.

However, to mention just a few from the cast means to forget a few as well and that would be wrong as, as already suggested, this show has no dead weight in the cast. The full company are brilliant, and this is in fact key as this show, as expected has some incredibly bold full-company numbers. Let us just say that none disappoint. Bill Deamer's choreography is visually striking and performed sublimely. Also of visual delight is Robert Jones and his endless multitude of stunning costumes and colourful set pieces. It is, just like the Hollywood of old, a kiss of beauty on the eyes.

Sound, often a frustrating aspect of touring shows, is here, absolutely brilliant. No inaudible lines, full lyrics clear, perhaps the best I have heard outside of London. Immense credit to sound designers Ian Dickinson and Gareth Tucker for their work.

Musical director Grant Walsh and the musicians fill the theatre with stunning music for the company to sing, and even for those unfamiliar with 42nd Street, you are in for a treat with many songs that will be very familiar to you within this show. Director Jonathan Church keeps everything moving at pace, losing no momentum between scene changes.

42nd Street is a love letter to the past glory days of Hollywood and captivates from beginning to end. Stunning to look at, brilliantly performed by all the cast and just simply superb theatre. Go and meet those dancing feet and you will be in for a glorious night.

A charming delightful journey back to a bygone time for what is a must-see show.


Performance reviewed: Monday 28th August 2023 at the Milton Keynes Theatre, Milton Keynes.

42nd Street runs at Milton Keynes Theatre until Saturday 2nd September 2023.

For further details about Milton Keynes see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Johan Persson


Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...