Skip to main content

Review of The Flying Lovers Of Vitebsk at Royal & Derngate (Royal), Northampton

Kneehigh, the Cornwall based theatre company, has created an immense recognition over the 30 years or so they have been formed, and Emma Rice, who directs here, has come out as one of the more recognisable people from the group. Here, with The Flying Lovers of Vitebsk, they, and Rice are in incredible form.

Writer Daniel Jamieson tells us the tale of artist Marc Chagall and his wife Bella as their love blossoms during some of the most turbulent times in history.

This tale, by Jamieson, first saw a life on stage over 25 years ago, back then titled Birthday (the name of a painting by Chagall, which depicts he and his wife doing their "flying"). In the original production, Jamieson played Marc, and Rice played Bella. Now many years later, Rice has taken the original and created a brand new vivid version.

It's easy to fall in love with The Flying Lovers of Vitebsk very early on, as two things occur. The first is as you are seated in the theatre, you become captivated by the intricacies and the bizarre nature of the set by Sophia Clist. Wooden posts contort at odd angles, a square staging area dramatically angles towards the audience, a chair impossibly stays upon it. This set strewn with many items inkling of things to come is just beautiful in itself.

Then the opening moment where we are presented with the first song of the evening, another thing of beauty. The music selection in this production is stunning, much created by Ian Ross, and performed live onstage by he and James Gow, is simply amazing. This coupled with the singing abilities of cast members Marc Antolin and Daisy Maywood leaves a shiver down the spine, most particularly the richness, and haunting nature of Antolin's voice.

So, if nothing else was to happen, I would probably be happy with the set and music alone, however, what follows is 90 minutes of the most touching, funny and clever theatre you might wish to imagine. It is, by its theme, a surreal world, a theatre play falling, as it were, from the works of Chagall himself. Full of bizarreness and colours infinite, the lighting on this show from Malcolm Rippeth is immense in itself. This play is a three-dimensional play cascading from Chagall's canvas.

So much said before even getting to the two performers tells much of the detail in this show, however, Marc Antolin as Marc Chagall and Daisy Maywood as Bella are also simply incredible. This show requires perhaps everything of a performer: acting, singing, physical ability of an exceptional level, even clowning. It also though requires a lightness of touch to make them all work together, as we switch from one ridiculously frantic scene of strange objects strapped to their heads and to a quiet gentle moment of reflection at the traumas going on. Antolin and Maywood are clearly amazing performers and have all the required skills to make this piece work so well, in other hands, some of the situations could easily just not work.

The Flying Lovers of Vitebsk is the final work for Kneehigh from Emma Rice, and to say she leaves on a high would be an understatement. It is a love letter of a play to both the company, it's audience, and to the poignant history of the Chagall's. It looks and sounds gorgeous in so many ways, and leaves a wave of emotion through its audience.

A masterpiece of a theatre production.

Performance reviewed: Wednesday 25th April 2018 at the Royal & Derngate (Derngate), Northampton.
The Flying Lovers Of Vitebsk runs at the Royal & Derngate until Saturday 28th April 2018 before continuing its tour. Details at kneehigh.co.uk

For further details about the Royal & Derngate see their website at royalandderngate.co.uk

Photos: Steve Tanner

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...