Skip to main content

Review of Murder On The Dancefloor at St. Albans The Martyr Church, Northampton

When you see the expanse of theatre that I do, sweeping from the cream of the West End, TV and film, onto fledgeling students, to youth theatre, amateur theatre, huge touring shows, it is quite a challenge to get the balance right in a review.

Most especially when going to a show such as Murder on the Dancefloor by St. Albans Charity Players. This is community, am-dram of the highest order, it is no frills, often loosely performed, but also occasionally unexpectedly very impressive as well. However what is key with this is that you look beyond any flashes of fluctuating quality and step back and see the importance that shows like this have to that community.

Murder on the Dancefloor takes dance show Strictly Come Dancing as its background and shakes an interactive murder mystery stick at it. It is always truly silly, as one of the character names, Crane Breville-Hardwood suggests. It is filled with the most garish of typical dance scene dresses, all overdressed, over made up and blinding colours. Also, those costumes adorn the most ridiculously over the top characters, caricatured within an inch of their lives.

So we have the insanely camp Marcus Hillery played with brilliant relish by Brian Roberts, then the creepy Lawrence Bough (Derrol Barnes) peeping on the ladies dressing rooms, and you have the costume mistress, Roxy Rhinestone (a gloriously bitchy performance from Jerry Delaney). Wherever you look in Murder on the Dancefloor you see the brightest and weirdest people, and for the best part the cast bring them vibrantly to life.

Colin W Gasson's script is clever enough to offer intrigue and it weaved a spell around many present, myself included, who failed to spot the actually rather obvious culprit, despite it in true Agatha Christie style laying the blame at potentially everyone. However, on reveal (once the inspector had got up to speed), it actually turned into a rather good solution, which I was sad to have failed to spot. The event was also enhanced by some lovely little performances from Top Hat Theatre school.

It all created what was a simple, yet thoughly entertaining afternoon. It ended rather dramatically and caught pretty much all of us unawares with the staging, and was a little surreal at times. However, this is just simple harmless entertainment and at the end of the day, something that I enjoy as much as the stars of the big stage. The theatre is at all levels, otherwise, it doesn't exist at all.

Performance reviewed: Saturday 28th October 2017 (matinee) at St. Albans The Martyr Church, Northampton.
Murder on the Dancefloor ran until Saturday 28th October 2017.

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...