Review of Kiss Me Kate at Kilworth House Theatre

A theatre shrouded in trees on the estate of a house with landscaped, picnic and woodland areas is a tremendous boost to anyone putting on a show and Kiss Me Kate from director Matthew White lives up to the wonder of its location.
Kiss Me Kate based on a book by Sam and Bella Spewack with music and lyrics by Cole Porter is itself based upon Shakespeare's work The Taming of the Shrew. A theatre company with principal performers divorcees Lilli Vanessi (Caroline Sheen) and Fred Graham (Matthew McKenna) are putting on Shrew interspersed with their quarrelling behind and on stage. Added to the mix is a romantic side piece featuring Lois Lane (Monique Young) and Bill Calhoun (Justin Thomas) and some nefarious characters after some money.

Caroline Sheen

There is just so much to delight in from this production, right from the first viewing of the impressive and very grand set and an amazingly well choreographed initial number of Another Op'nin', Another Show, you just know that this is going to be a fabulous evening. The entire show is maintained at a flowing pace with set changes fluently becoming part of the show and never breaking the pace, and clever staging using all areas of the theatre space, including aisles and side entrances.

Matthew McKenna

The two leads Caroline Sheen and Matthew McKenna are brilliant together in their sparky dialogue. McKenna, in particular, had quite a brilliant way of enunciating his words making it all perfectly very thespian-like and tremendous fun. There were as this was opening night a few slight line fluffs, all in one scene between them, however, nothing deters the fact that these two are going to be tremendous together during this run.

Monique Young

Also once again rather special is Monique Young, having seen her in the Hairspray tour in 2015 and picking her out as the star of the show then, here as Lois Lane she very nearly steals the show once again. Her Lois is light and joyful and she shares with Gremio (Andrew Gordon-Watkins), Hortensio (Davide Fienauri) and Lucentio (Justin Thomas) perhaps the best number of the show, Tom, Dick or Harry. Thomas in this number and his delightful performance of Bianca in the second act also shows his quite incredible gymnastics ability.

Also highly entertaining and bringing great humour to the show were Cory English as Gangster 1 and Carl Sanderson as Gangster 2. Certainly audience favourites and the classic Brush Up Your Shakespeare was very well performed. There is also a great turn from Tarinn Callender as Paul, putting great vocal and dance skills in Too Darn Hot, in this, his professional debut.

Another interesting aspect of this musical for me was that despite being outside, the sound was the best that I have heard from a musical. Sound designer Chris Whybrow and strong 12 piece orchestra led by musical director Michael England fill the theatre with strong and meaty music, however unlike most shows in indoor theatres the balance is just perfect with the vocalists not disappearing behind the music. There are many a theatre that could learn from this venue, team and setup.

So a brilliantly entertaining evening of a really fun musical, full of great characters and bags of familiar tunes. Some incredible singing and a hugely skilled ensemble make this not only a must see if you can make it, but also a great opportunity to visit this brilliant venue.

★★★★★

Performance reviewed: Wednesday, May 31st, 2017 at the Kilworth House Theatre,

.
Kiss Me Kate runs at the Kilworth House Theatre until Sunday 16th July 2017.
For further details visit http://www.kilworthhousetheatre.co.uk/

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

A Small Mind At The Theatre

Search This Blog