Skip to main content

Flash Festival 2017: The Time Travel Tour by Just The Guy at Hazelrigg House, Northampton

There are many reasons why I wanted The Time Travel Tour to be so much better than sadly it turned out. As a life-long fan of sci-fi myself, the premise and idea of this show from Just This Guy and its performer Jay Andrews, sounded absolutely perfect. To a certain extent, it still remains that, it's just that the premise currently (but perhaps hopefully not in the future) exceeds the production.

Jay Andrews plays our time travel guide, who takes us back in his time machine, called TARDIS, but for fans, cleverly not standing for what you might expect, to moments of history. Sadly these moments are a little where the show slightly begins to disappoint. With so much in our history to choose from, the selection chosen is quite frankly rather dull, so much so that I have little recognition of them now. Perhaps this for me is like Jay admits in his programme (bonus point for this), that I also find history often dull. However, if this show is to work, you need to make it not dull, leave that to the Bard's history plays. This show is clearly defined for a comedic style, so the history needs to be full of this and to become alive.

There is some great tech in this play, including some well-created video as multiple timelines converge. Unfortunately, during this footage, timing is everything and not all of it was as seamless as it needed to be. Also for some strange reason, the volume of this footage was seriously quiet, meaning that even in the compact room quite a chunk of dialogue was lost.

On the back of the programme is a delight of reference material which all but a couple I am well familiar with, and it was interesting to spot them during the show and for much of the time they worked. However, I did feel that the writing was a little too much fanboy material at times, which while I might delight in, I was worried about how much non-fans would get (serious kudos for getting Cave Johnson into a play though). For mainstream material, you clearly have to go beyond what you are as a fan and not make it about your likes only.

However, for all the lack of success the show is, Jay is a wonderful lively guide, full of bountiful energy and character and holds well the challenge of performing a solo show at Flash. This idea needs to be refined, restructured and tightened up and I am sure it will survive Flash and be much better for it.

Performance viewed: Tuesday 23rd May 2017

The Flash Festival 2017 ran between Monday 22nd and Saturday 27th May 2017 at three venues across the town.

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...

Review of Les Misérables: School Edition (NMTC Youth Society) at the Cripps Hall Theatre, Northampton

From my four years or so of watching theatre in Northampton, there is one thing beyond the huge professional shows that I see touring, that I always enjoy so much more (despite the occasional dodginess of the quality), and that is youth theatre. For me in my heart, it adds something special, here we have the often maligned young of today, getting out there and doing something truly fulfilling. Here though, with the debut of the newly formed Youth Society, spinning off from the adult Northampton Musical Theatre Company, we have something also which goes beyond enthusiasm of the young to create a really special piece of theatre. Les Misérables is in the top three of musicals for me, I love its huge numbers, I connect to its story, and it has some extremely strong characters, for me, it just works. Therefore, you could say that I would have an immediate bias towards this show, however, I do feel protective of it as well, so, it needs to be done right. However, I have nothing to worry...