Skip to main content

Review of Henceforward... at Royal & Derngate (Royal), Northampton

Arriving at a theatre to see a play having slept four and a half hours in the previous 35 is perhaps not the best way to get the full effect of a production. However once I am in a theatre seat, most of the time I become refreshed and well awake, and this touring production of Alan Ayckbourn's Henceforward... certainly kept me with it.

Henceforward... was first performed 30 years ago and was Ayckbourn's first comedy to contain science fiction elements. It is a curious mix of a world that we are not quite at yet, with elements of Channel 4 show Humans in its personal NAN 300F, a mostly unseen world of gang rule outside where law has become tribal, and then a fascinating mention of a cheque of all things, as if they will exist in the future! It is like all takes of a future world, sometimes amusingly wrong.
Zoe (Laura Matthews), Jerome (Bill Champion) and NAN 300F
It is also classic Ayckbourn, and also like Season's Greetings which I most recently saw, quite a slow burner, with the first half creating the world and the characters before after the interval becoming a shear roller coaster of comedy as all the layers put down and unravel. This is full belly laugh material beyond the chuckles of the first half, but it is a fascinating genius of Ayckbourn that I have seen before where you find yourself at the interval not sure that you are totally thinking this is his best, but at show end, overwhelmed by just how brilliant it is.
Jerome (Bill Champion) and NAN 300F
Having said that though, you can't help but still be entertained by the happenings of the first half. Much of this comes from the antics of the nanny droid NAN 300F, built originally to look after a specific child, but tampered with by our lead Jerome (Bill Champion) to become a little more. It doesn't work very well though, and that is where much of the first act humour comes from. Also entertaining is the arrival of Zoe, escort and actress, played by Laura Matthews. She has tremendous fun, and for me perhaps a little too much, as at times I would have happily seen the over the top style of the character toned down just a notch. In the second act though, she is truly brilliant in her switched role and makes up for any gritting of teeth she may have caused me during the first half.
Zoe (Laura Matthews) and Jerome (Bill Champion)
It is safe to say that NAN 300F provides the bulk of the comedy value in Henceforward... as the world created and vaguely seen, on screens in pre-recorded sequences, is less so. The world of The Daughters of Darkness is generally lightweight and rarely proves interesting. Also the realisation of Geain (Jessie Hart), I had a bit of a problem with. In a day that we are meant to allow anyone to be what they wish to be, the comedy taken from her new persona feels often just a little cruel, although when this was written, it certainly wouldn't have been.

Jerome (Bill Champion) with Laura Matthews.
The cast are all excellent throughout, with Bill Champion leading the way with a nicely downplayed performance, often offering more from his silent stares at Zoe, that others when they are attempting to act their socks off. His tired of life demeanor adds much to the role.

Jacqueline King is wonderful value in both acts, and like Laura Matthews achieves the switch of their roles with surprising ease. The final on stage cast member Nigel Hastings brings a brilliantly irritating job worthy manner to his social services character Mervyn, and wields a great amount of the none NAN comedy.

Staging is generally excellent, although there were a few issues with the timing of the pre-recorded sequences and the departure and arrival of cast members on stage. However it generally worked fine and is very much a minor point. Another rather interesting directorial decision reared its head as a problem on the Royal stage (but may not at other venues), where Jerome stands near to the exit to the front door for quite a few long periods. I could see him from my seat, however it was absolutely obvious that the sight lines would be a problem for quite a few people in the theatre, this is a shame.
Corinna (Jacqueline King) and Jerome (Bill Champion)
So for me a greatly entertaining play, but with a few little pieces that for myself feel a little awkward. It is a surprisingly bleak world that Ayckbourn has created and there are a few quite dark jokes on offer. However whenever NAN 300F is on stage, this is also a brilliantly hilarious show, which is definitely worth catching.

««««


Performance reviewed: Monday 6th February, 2017 at the Royal & Derngate (Royal), Northampton.

Henceforward... runs at the Royal & Derngate until Saturday 11th February, 2017 
and continues its tour.

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

PHOTOS: Tony Bartholomew/Turnstone Media

Geain (Jessie Hart)
Jerome (Bill Champion)

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Only Fools and Horses - The Musical at Royal & Derngate (Derngate), Northampton

The classic BBC sitcom Only Fools and Horses , created by John Sullivan and running for 22 years, holds a fond spot in the hearts of many. Even if you are not a fan, most are slightly familiar with the exploits of wheeler-dealer Del Boy and his lanky brother Rodney. However, who could think this could be the subject of a hit musical? Well, it turns out that Paul Whitehouse and Jim Sullivan, the son of the original writer, did, and it has to be said, in Del Boy lingo, it's proper lovely jubbly! Bringing iconic characters to the stage that the same actors have played for so many years presents a challenge to any performer; however, without exception, director Caroline Jay Ranger and her team have assembled a stellar cast. Leading the action is, of course, Derek "Del Boy" Trotter, played by Sam Lupton with all the energy and wideboy manner of the legendary David Jason. Lupton looks the part, sounds the part, even, of course, in song, but even manages to add his own charm to ...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...