Skip to main content

Review of She Echoes performed by University Of Northampton BA Actors at Isham Dark (Avenue Campus), Northampton

The University of Northampton BA Actors devised shows are never, ever, a disappointment. Many of them like the incredibly splendid Orientation from last year, I could happily watch more than once. She Echos easily falls into that category and I shall return tomorrow to watch it once again.

Taking the concept of alternative possibilities made famous in popular by Gwyneth Paltrow in Sliding Doors, She Echoes creates a multiple splitting world of Emily and her success in work, family, driving and most importantly love. We awake each morning with Emily either early, late, or with time to read the paper or not, and a meeting with her sister who may be back on the bottle or sipping coffee. Emily may walk to work, she may drive, she may get the tube. She might go to the Red Ruby club or not.

Each of these scenarios is created in two ways, first through repetition of scenes where charges occur on route through alternating incidents; some simple, some startlingly dramatic. The second way is a split stage scenario, used with incredible effect during the Red Ruby scene. Both work, but seeing the freeze frame play out at the club is the best by a considerable margin as the most innocent of moments like a spilt drink spirals into devastating events. Perhaps you might feel it is contrived at times, but really it surely isn't. A fight in a club, truly would if you think about it come down to a chance of encounter like this if they are indeed strangers. This is why as Liam Faik takes apart in a quite remarkable stage fight a good Samaritan, you truly feel how possible this could be. While this occurs, alongside is the most wonderful scenario playing out, of love and friendliness. The contrast could not be better, the effect on the audience perhaps not possibly stronger.

Emily is played by an ever changing cast member and each of them creates a slightly different but fascinating interpretation of the role as the world evolves ahead of her. This is throughout a quite staggering ensemble piece, as the University shows always are. There is a constant buzz of effort and support for each other and the youthful and ambition drive to create perfection knows no bounds.

The fast paced scenes are brilliantly worked and perhaps the lighting available in Isham Dark has never looked better in this creation designed by Jessica Bichard. There is also an incredible Charleston inspired dance routine choreographed purely through the students. This coupled with the work of director of Lily McLeish and most importantly the creative input and drive of the performance of the students creates a swift and sharp seventy minutes of brilliance.

I simply loved it, it often created a lump in the throat, a stirring of adrenaline and "dust" in the eyes. A remarkable piece of theatre in every way possible, performed by yet again another collection of startlingly good students, now firmly on route to the Royal, the Flash Festival and beyond. Just amazing.

Performance viewed: Wednesday 7th December, 2016 (matinee) at Isham Dark, University Of Northampton (Avenue Campus).

She Echoes runs until Saturday, 10th December, 2016.
Twitter feed for the University actors is @BA_Actors and a Facebook event page at https://www.facebook.com/events/1821958538081112/

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...