Skip to main content

Review of That'll Be The Day Christmas Show at Royal & Derngate (Derngate), Northampton

I am not entirely sure why I was a little reticent initially to the offer by a friend to accompany a group to see That'll Be The Day. It wasn't that I would have a problem with the music, as be it 50s, 60s, 70s or whatever decade, good music for me goes beyond the generations (although obviously the 80s are best). Perhaps it was that this show had a reputation for being popular with the grey brigade (although I have plenty of my own grey now)? This made no sense either, as some of our number were quite a bit younger than my 39 years. I think actually the problem in my head was going to a Christmas show on the 26th November. I have absolutely nothing against Christmas, but a whole evening of its music was not my ideal evening. Or so I thought.

It was actually a superb evening of music and comedy, which although very possibly is a little long at three hours with the interval, rarely disappoints. While this is a Christmas show, there is enough non seasonal music to keep it being a festive overload. There are some superb sections which included the Christmas at The Cabin section hosted by a nice take off of the Fab 4 and guests. There was also a quite stunning performance of Gene Pitney's Somethings Got A Hold of my Heart. Another highlight from the evening and a bit of an emotional one was a lovely tribute to the late great Mr David Bowie. An epic collection of imaginary was projected upon the screen during a wonderful and fitting performance of Starman.

As well as the obvious brilliant music, there were a lot of comedy moments, mostly taking off past characters of sitcoms and double acts past. We had Steptoe and Son, Laural & Hardy and a Christmas Carol spoof featuring Alf Garnet as Scrooge. It was all very end of the pier stuff, and often very near the knuckle at times for a family show, but for the best part it was genuinely funny, if a little dated. With Garnet, it also managed to be as politically incorrect as you would expect. I'll leave you to judge on your position on that one.

I also have to say that the production values were impressive as well, with a last group of performers, a busy wardrobe and a very well utilised screen for video. There were sticky moments at times, but these rarely came where it mattered withing the music pieces, as each performer was perfectly selected to capture the likenesses.

I have to say that That'll Be The Day was a pleasant surprise, although looking at its incredible thirty year history of packing them in, perhaps it shouldn't have been. A really enjoyable evening of classic music, brilliant performers and some very nice comic moments. A harmless evening of entertainment.

««««


Performance reviewed: Saturday 26th November, 2016 at the Royal & Derngate (Derngate), Northampton.

That'll Be The Day Christmas Show was a single night performance at the Royal & Derngate but continues its tour, details at http://www.thatllbetheday.com/

That'll Be The Day returns to the Royal & Derngate on 2nd June, 2017. 
For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...

Review of Les Misérables: School Edition (NMTC Youth Society) at the Cripps Hall Theatre, Northampton

From my four years or so of watching theatre in Northampton, there is one thing beyond the huge professional shows that I see touring, that I always enjoy so much more (despite the occasional dodginess of the quality), and that is youth theatre. For me in my heart, it adds something special, here we have the often maligned young of today, getting out there and doing something truly fulfilling. Here though, with the debut of the newly formed Youth Society, spinning off from the adult Northampton Musical Theatre Company, we have something also which goes beyond enthusiasm of the young to create a really special piece of theatre. Les Misérables is in the top three of musicals for me, I love its huge numbers, I connect to its story, and it has some extremely strong characters, for me, it just works. Therefore, you could say that I would have an immediate bias towards this show, however, I do feel protective of it as well, so, it needs to be done right. However, I have nothing to worry...