Skip to main content

Review of Flash Festival 2016: The Final Cut by LaZénna Theatre at Hazelrigg House (Studios)

The Final Cut by Elizabeth Adejimi (LaZénna Theatre) stood out early in the announcements of shows for this years Flash as the one that initially felt was going to be the hardest to view. Knowing enough about the subject matter of Female Genital Mutilation+ and understanding the absolute barbaric nature of the practice did make it sound that it might be a traumatic viewing. I probably felt that it was a subject that I felt I could do little about and really wasn't sure I wanted to sit through a forty minute exploration of it.

I was wrong though, as while this does become really difficult to experience at the important ending of the play, Elizabeth creates a living world to tell the story first in a vivid and entertaining way. Told through a variety of characters it appeals at first, before it finally appalls.

The main character of the young lady is magical and inspired, the large eyed innocent girl, staring up at her seniors, fond of stealing a snack or two and exchanging comical moments with her mother. She is a real character and your fondness grows for her as she goes about her life. At that time probably not knowing what is to come soon in her life.

As well as the female characters in the play, Elizabeth depicts a couple of male ones and perhaps the most absorbing one is that of the hunter. A tremendously stalking performance and one that really bleeds into the soul of a few of the audience as she stares deep into their eyes. It is however the female roles that are the most important in this story and indeed within the practice. These are, quite scarily the instigators in the continued practice of FGM, which of course makes the situation so much more unbelievable and distasteful.

The performance from Elizabeth is absorbing and the transitions between characters is perfectly planned, full of slow gliding movement and pauses as the various simple costume changes occur. It is all very effective and telling and puts across the practice in a thought provoking, but not preaching way. It is all really intelligent and I challenge anyone to come from the show without having learnt much more understanding of the barbaric act.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...