Skip to main content

Review of Calling For Help! at the Playhouse Theatre, Northampton

The subtitle of Calling For Help is Man Vs Mother-In-Law, however I can't help but think that this is a slight disservice to this genuinely entertaining and fun play. That subtitle brings up connotations of wicked little Bob Monkhouse or Les Dawson jokes, whereas in reality the family relationship portrayed between the characters Rachel and Sean is really rather sweet. The versus bit really comes mostly from the machinations of the call centre business, where much of the play is set.

We are first witness to Rachel (Caroline Nash) and Sean (Oli Leonard) long before the play gets underway. Rachel is stalking around the theatre and bar area with Sean kept at heel, welcoming the other call centre staff, us. For this is indeed an interactive play, indeed one of the most I have yet experienced. As the play progresses, the scenes within in the call centre always involve in some way the audience. Selected members of the audience even get given a name via a lanyard with badge and a designated character trait. Be they the constantly sobbing Marie, the miserable Gordon, or Neil who hopes for a career of a upstanding nature in the future. Great mileage is made during the evening through these "willing" volunteers in the audience, however always from such interaction, some nights will undoubtedly be better than others.

Written by Liz John and Julia Wright, Calling For Help has an immensely British feel to it, set in the midlands and with highly amusing exchanges and a devilish detail of office life. The evolving characteristics of our two characters is very well formed, surviving some of the sillier aspects of the play. Despite all the really weird buffoonery that does take place during the show, there is towards the end a tremendous emotional pull from events. I was not however entirely convinced by the scenes between Sean and the baby, which although they helped move the story on and relay his emotions, seemed just a little too silly at times and the first certainly went on too long.

Caroline Nash and Oli Leonard are perfectly suited to the roles and play off each other with an extremely believable edge. Nash moves from being a deliberately irritating person, constantly upbeat seemingly at all times, and eventually develops onto one that you latter greatly enjoy the company of. It is a really enjoyable performance

Leonard I had the pleasure of seeing in performances for his final year at the University of Northampton and it is great to see him again, this time treading the boards as a professional. Like Nash's character, this is another, which without giving too much away, evolves greatly as the show goes on. At first the audience will certainly feel sorry for his lack of success with his ambitions and his suffering the presence of Rachel through both home and work life. However as already alluded to at the start, this really is at its heart a happy friendship, not the intolerance you might expect from a comedy between a chap and his mother-in-law.

Director Jonathan Legg keeps the action moving throughout the several set changes, which are mostly unobtrusive depending on how friendly the set wants to be. The set itself is cleverly designed with three revolving panels moving us effortlessly from the two main settings of the call centre and Rachel's garden. A nice touch also was the switching of the plant to move us through the seasons, we almost hardly saw it done!

Calling For Help is unquestionably a wonderfully bold attempt at interactive theatre. Making it a single one and a quarter hour piece with no interval is ambitious, but does just about work. However I think it would benefit from a break to allow exchanges between the audience, as this is a play that many would no doubt like to talk about. A few may even return from the bar a little more willing to be interactive. However as it stands this is an absolutely thoroughly entertaining and different piece of theatre. Well constructed to be interactive without being intimidating on the audience and wonderfully performed. Really worth checking out if it comes to a theatre near you on its current tour.

««««

Performance reviewed: Thursday 14th April, 2016 at the Playhouse Theatre, Northampton

Calling For Help runs to Friday 15th April, 2016 at the Playhouse Theatre, Northampton. Details of Next Page Productions and the tour can be found at http://www.nextpageproductions.co.uk/


For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...