Skip to main content

Review of Scaramouche Jones by Justin Butcher at The Playhouse Theatre, Northampton (White Cobra Productions)

Leading up to my seeing Scaramouche Jones for the first time, I had been informed by many that this was a quite a special show. Well written, intense, and in the case of those that had seen it at a previous visit to Royal & Derngate in 2002, a quite incredible performance by the late great Pete Postlethwaite. Having now seen the play I can only imagine what power Mr Postlethwaite brought to the role. Thankfully for my Scaramouche Jones, Richard Jordan, my preconceptions came fresh with no startling memories of such a performance.

Written by Justin Butcher, Scaramouche Jones takes us through the last hour or so of the life of a clown in his one hundredth year on the planet. He recounts his life from being born in a Trinidad whore house to a gypsy prostitute with a penchant for holding a meat hook in her hand while servicing her clients. He recounts his epic journey over fifty years to the land of England, including time featuring a snake being charmed to the music of Scott Joplin and Gilbert and Sullivan. His journeys also bring him to a devastating role in a camp in the Second World War, a role that indeed manages to change his very future.

It is indeed a quite incredible play, basically a storytelling one but with subtle almost barely noticeable moments like the removal of the clown's nose or the lighting of a candle. Played out on a wonderfully dressed set which for the best part is left ignored for most of the proceedings. Occasionally using an upturned circus prop for a snakes basket, or grabbing another item of clothing from a rail. The set is generally however just an observer like us of proceedings as Mr Jones recounts his tale.

Richard Jordan as Scaramouche does everything right for me. It is of course an actors play and I don't doubt the likes of Mr Postlethwaite or his ilke would have given this performance more zest and emotion, but as a first encounter, Jordan is everything I could want. Soft and subtle when needed, bold and decisive during the tough challenging moments and finally clear and precise during the mime performances. It is a challenging one man show that Richard Jordan ha perfected in his own way.

Production and direction from Kate Billingham is also everything you want from a show like this, subtle and just going about its business in the background. This is a performance show like no other and doesn't need any clever distraction.

At times it might be a little vulgar for granny in its content and it is just the second time I have heard the dreaded C word on stage so far. However for all its vulgarity, it never feels offensive. It just seems appropriate. Running at an uninterrupted ninety minutes offers its own challenges on the audience, but not one of the sold out crowd moved during the show as I suspect just like me they were spellbound by it. I was even surprised at the end how quickly the time had passed.

So an exceptional play and easily one of the best, richly written I have seen. Tough and challenging but absolutely rewarding viewing. A perfect night at the theatre and totally justified of that packed out house. Send on the clowns indeed if they can bring emotion, joy and sorrow to us like this.

««««

Performance reviewed: Saturday 13th February, 2016 at the Playhouse Theatre, Northampton

Scaramouche Jones is on a brief national tour. For details visit: http://www.whitecobraproductions.co.uk/

For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...