Skip to main content

Review of Peter Pan Goes Wrong at Royal & Derngate (Royal), Northampton

Having seen Mischief Theatre's phenomenal The Play That Goes Wrong three times last year, there was a strange and uncomfortable feeling at the start of Peter Pan Goes Wrong for me. Creators Henry Lewis, Jonathan Sayer and Henry Shields have come up with such a well defined collection of characters, complete with their own personal foibles (and indeed desires), that it felt sacrilege to see different people playing them. For my three viewings last year, I had been privileged to see the original cast on all occasions, so who on earth was that person playing stage manager Trevor (actually Chris Leask)? Causing the usual pre-show mayhem (this time right in front of my row), he acted and sounded the same yes, but he looked, just different. Then who on earth is this guy pretending to be director Chris Bean?

However this was my own foible because once the onstage chaos began, none of it mattered, as once again myself and the audience were carried away in a chaotic, blistering and immensely funny adventure. Presenting his Christmas vignette (not a pantomime), director Chris Bean (Laurence Pears) welcomed us to the show in front of the curtains and was this time joined by the finely bearded Robert Grove (Cornelius Booth), and an important beard that was to become. All the other favourite characters were also back in action, including poser and prancer Sandra "sick moves" Wilkinson (played gloriously over the top by Leonie Hill) and crowd favourite Max Bennett (always taking a bow Matt Cavendish). Former assistant stage manager Annie (Naomi Sheldon) is also back, this time promoted to a quick changing cast member from the outset, no longer dragging the likes of myself onstage to hold mantelpieces in place. It is a huge credit to the writers that in two single plays they have created such defined characters who even allowing for the cast changes are still all so unique and recognisable.

The ante has also been lifted in the set design with a quite incredible revolving stage. Danger, pace and lunacy could not be greater, especially when as expected there is a slight problem and it offers little wondrous windows into the lives of these larger than life characters as they strike seven bells out of one another. Much of the antics are similar to TPTGW, but I suspect that was why many were here, for more of the same. New problems were of course found from the Peter Pan material, particular with the flying. No chance was missed with this to inflict as much damage as possible on the cast members. Also a very clever scene came from Peter and Wendy's journey to the bottom of the sea. This was so good and well performed that you could genuinely see how difficult it can be to make something to appear to go so wrong. Masters were indeed at work.

Real world director Adam Meggido has created a quite incredible little feast that can never fail to delight. While performed on Simon Scullion's playground of a set, which is never far from disaster itself, this is without doubt a stunning production that uses much of the originals charm and success. While also building superbly with the characters and ideas that there must surely be a third installment soon. This is a must see and comes more highly recommended that my five stars will allow.

«««««

Performance reviewed: Monday 23rd February, 2015 at the Royal & Derngate (Royal), Northampton.

Peter Pan Goes Wrong is on at the Royal & Derngate (Royal) until Saturday 28th February, 2015 before touring. Details can be found at Mischief Theatres website at http://www.mischieftheatre.co.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...