Skip to main content

Review of The Dame Of Sark at The Playhouse Theatre, Northampton

I am beginning to enjoy many of the amateur productions that Northampton offers as much as many of the professional ones. Some would say that this should be at odds with common sense because they have neither the budget, the time or the skilled actors (shall stop your right there buster). This is amateur dramatics darling, that is what it is all about. I have taken a liking a little more to these amateur ones perhaps because the performers seem more human to my unskilled eye. They occasionally fluff their lines, much like I forget to buy the milk. They didn't last night though at the rather quaint Playhouse Theatre. Maybe a hesitation or two, but certainly nothing involving cries from behind stage.

The stage in question was, to quote the programme "the drawing room of the Seigneurie of Sark" and rather lovely it was as well. A typical am-dram set, not complicated and very functional. The play that took place upon it was The Dame Of Sark by William Douglas Home (brother of the slightly more famous Alec). This in turn was based upon the true story of Sibyl Hathaway and her life during the six year occupation of the Channel Islands during the Second World War. She was the Dame of the title, effectively leader of the island and a hereditary position.

On stage for most of the play, Rosa Follett was a delightful Sibyl, at turns sad but more impressive when attempting to get under the skin of the occupying forces. She held the whole piece together well and with such a large role this was vital. The support however were equally impressive. Jem Clack who I had previously seen in The Mystery Of Irma Vep was much more effective in this, and oddly enough considering the tone, also much funnier. He also held a quality American accent throughout that was both solid but not awkward on the ear.

While on the subject of accents though, I have to say these were very, very (too very's, read them!) good. Most especially Hugh Jones as Major Lanz, who sounded quite supremely German, and this held extremely well also in those typical German soldier shouting moments required later in the play. This was no Allo Allo, that's for sure.

However my quiet star of the show was Graham Follett as Colonel von Schmettau. He was unassuming and simply superb as the compassionate German, and whenever on stage was where the eye went. Everything from his gentle demeanour to his softly spoken words was just, well a delight to see and was worth the entry fee alone.

Although only my second visit to the Playhouse, I have to say it is proving to be a lovely little place to go. The Dame Of Sark is not only a powerful story, but it is also being performed really rather well at the Playhouse. A quiet and gentle delight of a play despite the subject matter and one well worth catching.


Performance reviewed: Wednesday 28th January, 2015

The Dame Of Sark continues at the Playhouse Theatre, Northampton until Saturday 31st January, 2015. For full details visit their website at http://www.theplayhousetheatre.net/

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...