Skip to main content

Review of The St Giles Quarter Ghost Walk and The Haunted Theatre Experience from Looking Glass Theatre, Northampton

I am, I need to make immediately clear, a ghost-sceptic. While I may occasionally watch a spooky movie and have watched an episode (just the absolute one) of Most Haunted, I have never truly bought into the whole spectre phenomenon.

Therefore Looking Glass were in for a challenge from the outset, and for the most part they didn't swing my opinion of ghosts and ghoulies during the hour tour/show. Having said that, I did enjoy it in a much different way. Much like the Behind The Curtain tour at Royal & Derngate (review here) earlier in the year, it was fascinating to see behind the scenes at the Northampton Guildhall. Although I have been in the old court hall before, I have never had the chance to see the old cells and the tunnels beneath (now kitted out with the pipes for the heating system as well making them actually rather warm). It was a rare opportunity to see beneath the bowels of the historic and splendid building and learn a few things that I wasn't aware of (including a bit more information about Alfred Rouse and that infamous Hardingstone murder. The internal part had been very interesting (including some theatrical scares) and it was a shame that we didn't make it to Sessions House as I thought was planned.

The rest of the tour became a small circuit of Derngate, St Giles Street and Castilian Street where we were told of various local hauntings, some as a life long resident I was familiar with (including the friary monk at the Grosvenor and the Notre Dame graveyard) and some unfamiliar (I had either forgotten or never knew the Mail Coach story).

After finishing outside the Royal & Derngate, we descended into the Looking Glass and were sent through a well decorated and fun (sorry scary) side corridor where some of the tour had a few scares and got wrapped in spider webs. It was all great fun, in as I already mentioned, a theatrical way. A few successful jumps for the party and we finished (after refreshment opportunity) with a couple of little scenes featuring, rather oddly Sweeney Todd (and a plundered set from the Royal & Derngate's Youth Theatre production (review here) earlier in the year. This was the weakest part of the hour as it was too short to be a proper show and didn't fit in with the local ghost walk theme. Personally I would have liked a touch more tour instead of this.

However for a glorious pocket friendly six pounds this was a fun hour (and superbly supported with 44 on the tour I experienced), performed with gusty by those taking part and very excellently presented. A great deal of work had clearly gone into the organisation and a delightfully large assembled cast was involved. So yes, I would certainly recommend it. A ghost person will lap up the info and absorb the stories, while the less-ghost person (hand up) will gain a nice little bit of historic info and get into that rarely available buildings secret places and also find the humorous fun of watching the rest of the tour jumping out of their skins or getting creeped out by the stories.

«««

Tour experienced: Wednesday, 29th October 2014 (7pm)

The St Giles Quarter Ghost Walk and The Haunted Theatre Experience runs until Friday, 31st October and details can be found at: https://thelittleboxoffice.com/lgt/event/view/17962

Looking Glass Theatre's website can be found here: http://www.lookingglasstheatre.co.uk/

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...